The COVID-19 pandemic has highlighted how much modern societies are governed by statistics. Despite their objective appearance, these numbers gain their strength from very human relationships.
A primary school in Victoria has decided to scrap its program to teach classes in both Vietnamese and English. Such programs are rare in Australia and support already marginalised migrant communities.
Crowds, albeit smaller ones, will again watch the AFL and NRL grand finals. Crowds can bring people together but, since the time of the Roman republic, they have also expressed political dissent.
If only 1% of the Pacific’s population was permitted to work permanently in Australia, this would bring more benefits to the region than Australia’s annual aid contribution.
Massive borrowing to fund NZ’s economic recovery due to COVID-19 cannot be written off without the risk of worsening the crisis it was designed to meet.
The rules governing how mail-in voting works and how ballots can be rejected differ state by state. In a close election, this could prove pivotal to deciding who wins.
The government has boosted funding for mental health services in light of the pandemic. But will these extra services get to where they are most needed?
For Trump supporters, his domination is a mark of his greatness. But he may be about to lose an election because during a pandemic voters expect a president to be in control, including of himself.
Thanks to review upon review, we have plenty of evidence about the problems in aged care. But federal governments have shown ‘a lack of willingness to commit to change’.
Current housing stimulus measures aim to boost buyer demand and are too small to sustain a recovery. A second round of stimulus is likely to be needed, and it should go into social housing supply.
No news isn’t necessarily good news. News is powerful, and helps us to stay connected and informed. But it’s important we regulate our news consumption - particularly during times of crisis.
A new Netflix adaptation of Rebecca stars Lily James and Armie Hammer. The novel on which it is based, first published in 1938, explores domestic entrapment.