Ahmed Cherkaoui (Morocco), Les Miroirs Rouges, 1980. Courtesy Barjeel Art Foundation
A new modern art exhibition in Tehran is being promoted as a bracing act of cultural diplomacy. But we should look a little deeper.
Cambodian art produced in the Angkorian period are among the greatest artistic masterpieces of the pre-modern world.
Fake Cambodian sculptures have infiltrated the antiquities market, where they remain unacknowledged and their production continues unabated.
The mitotic spindle inside a living cell, magnified x 80,000, captured by biomedical animator Drew Berry.
Drew Barry/Morbis Artis: Diseases of the Arts
When art meets the biological sciences, living matter becomes the medium. From the chaotic beauty of smallpox to poems implanted in bacteria, Bio-art investigates the boundaries of life and death.
Veterans see something very different to the medals, uniforms and poppies of Remembrance Day.
All eyes are on ex-forces veterans come Remembrance Day. We may see heroes – but no one asks them whether they want to fit that mould.
Static No. 12 (seek stillness in movement), 2009–10.
©Daniel Crooks. Courtesy of the artist and Anna Schwartz Gallery
A new exhibition at MONA, curated by scientists, explores the biological and evolutionary origins of art. The show is spectacular - but it offers an overwhelmingly male perspective.
Arched figure 1993: powerful and unforgettable.
Art Gallery of New South Wales Foundation Purchase 2016 © The Easton Foundation.
The Art Gallery of NSW's summer blockbuster sparkles with famous names, including Picasso, Matisse, Turner and Rodin. But for all of its trumpeting of risk and daring, it remains essentially a rather puritanical exercise.
Why is criticism so often associated with killjoy negativity? It can convey joy as well as discrimination.
Grumpy curmudgeons, ex-artists writing about friends ... art critics here rarely help viewers understand the challenges of new work.
Watercolour painting of a Haida painted wooden mask.
Pitt Rivers Museum, University of Oxford 2014.89.1a
With the refugee crisis, Brexit, and the rise of populist extremism, we must defend the teaching of anthropology. And in doing so, we might expand and rethink ideas of "the humanities".
Paul Nash, Battle of Germany, 1944. Imperial War Museum, London © Tate
The job of a war artist probably seems, to many, a curious calling. Here's why Paul Nash and I were both drawn to the front line.
'Posh white girls' are unjustifiably taking the brunt of reports of the last art history A-level but casualties are all those the exam board had been moving to reach out to.
British Library 74/1881.d.8(26)
Victorians revelled in images and descriptions of murder and mutilation which would today be regarded as shocking.
The South Korean sculpture biennale ranges from airy and lofty metal structures to strange and dark creations.
Changwon Sculpture Biennale casts a wide net, from a disconcerting jumble of plastic body parts to a break-dancing sculptor armed with an angle-grinder.
Commerce and Sea Power, William Lionel Wyllie, 1898.
Guildhall Art Gallery
Laying the first telegraphy cable under the Atlantic was the Victorians' version of the Apollo mission – it caught the imagination of a generation.
Fifty years after the Maralinga atomic tests, an exhibition grapples with the pain and devastation left behind.
Karen Standke, Road to Maralinga II (detail). Supplied
The Maralinga atomic tests were devastating to life and land in Central Australia. Black Mist Burnt Country brings together dozens of artistic responses in a powerful, but somewhat incoherent memorial.
Jackson Pollock, Blue poles, 1952.
© The Pollock-Krasner Foundation
This quintessential modern art movement couldn't have gained precedence without the work of critics – and the Cold War.
Summer in the you beaut country, John Olsen, 1962.
Courtesy National Gallery Victoria, © John Olsen
A yellow line becomes a blistering ray of sunlight in Summer in the You Beaut Country. John Olsen's paintings, often described as 'quintessentially Australian', teem with life.
Elioth Gruner Spring Frost 1919: one of the paintings included in the gallery’s program.
Art Gallery of New South Wales Gift of F G White 1939
A new study shows that looking at paintings can bring pleasure to people living with dementia, affecting their wellbeing even after the memory of the event has gone.
Realpen Pencil is a young instant live drawing artist who lives and works in Accra, Ghana.
Ghana’s Chale Wote festival's main aim is to provide an alternative platform for the arts. It uses street arts to break creative boundaries and cultivate a wider audience for the arts in West Africa.
Individual artists continue to experience the brunt of arts funding cuts.
In 1983, a groundbreaking inquiry into the economic circumstances of artists released a report containing a string of recommendations. Thirty three years on, the inquiry's chair asks, what has changed?
A JR giant.
© Beatriz Garcia
It's time to finally put art on the Olympic map, prove the sceptics wrong, and renew and advance some of the more tired aspects of the Games staging process.