Artists Ian Wilkes and Poppy van Oorde-Grainger invite audiences to walk where the first contact between Noongar and white settlers at Lake Monger took place.
Four Indigenous composers were asked to create works for a square piano from a painful period in our nation’s history. They did so in creative, honest and powerful ways.
For the first time in its 99 year-history, the Archibald Prize has been won by an Indigenous painter. The Wynne and Sulman Prize winners also signal a time of change.
For non-Indigenous Australians, the last summer of bushfires seemed to mark the end times. Indigenous Australians have a long perspective on history, which offers hope.
Monuments are testaments to how a society wants to remember. Now is the time to ask which monuments can withstand introspection. Artists are opening those conversations – sometimes hilariously.
Though galleries have since closed their doors, this reviewer got to see Mavis Ngallametta’s works in all their glory. Their birdseye view of Country provides a perspective we’re missing right now.
As musuems are forced to face their colonial past, could a radically re-imagined museum become a place for genuine exchange, reconciliation and restitution?
Most Indigenous art works are produced in around 90 Indigenous art centres located in very remote regions. But there are staff and management issues, which can be solved by better VET programs.
As the flag’s copyright owner, Luritja artist Harold Thomas has the right to grant licences to whomever he pleases. Asking the government to buy back his copyright licence could be seen as an appropriation of Aboriginal property rights.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne