Bell Shakespeare’s new production of William Shakespeare’s Henry V – which opened in Canberra on June 14 – interrogates the complexities of war through a unique framing device: its scenes are played out…
New York-based data scientist and designer Matt Daniels recently noted Shakespeare’s much touted vast vocabulary and charted how many different words Shakespeare used in comparison to contemporary hip-hop…
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare Ensemble, in high-security men’s prisons. Three or four artists work with 12 to 20 prisoners over three…
We’ve been celebrating Shakespeare’s 450th birthday week with fun, festivals, exhibitions, a cake competition – and the launch of an improbably epic tour of Hamlet from the Globe in London “to every country…
The extent of Shakespeare’s legacy 450 years on from his birth is incalculable. But this, of course, does not stop some from trying. To many the crown of Britain’s cultural output, Shakespeare is integral…
In William Shakespeare’s Julius Caesar, the conspirator Cassius bitterly describes the position of Caesar in Rome. He says: … [H]e doth bestride the narrow world Like a colossus, and we petty men Walk…
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s, Shakespeare and his contemporaries were also familiar with the trope. Analogies between wooing and hunting were…
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar and Antony and Cleopatra – are connected in an immensely ambitious production, Toneelgroep Amsterdam’s Roman Tragedies. Under Ivo…
Seeing the live National Theatre broadcast of Coriolanus brought home once again how we’re all glued to screens now: our eyes rarely far from and seemingly hypnotised by the lure of the light emanating…
Shakespeare’s plays and cancer: two seemingly unrelated topics with an underlying common thread. The techniques that computational linguistics and computer scientists use to analyse the Bard’s works are…