Margaret Atwood’s new fireproof copy of The Handmaid’s Tale protests book banning – and burning. The Venn diagram of those who burn books and those who read them is typically two separate circles.
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Myths of Canada’s moral superiority in contrast to the United States can be a barrier to acknowledging and addressing racism in Canada.
Long past Margaret Atwood’s novel, the new season is increasingly violent – and the audience will find themselves increasingly numb.
‘Dystopia’ is a term that’s gained popularity during the coronavirus pandemic. But it’s not a synonym for ‘a bad time,’ and a government’s poor handling of a crisis does not constitute dystopia.
In the television show ‘The Handmaid’s Tale,’ Charles Darwin’s ‘Descent of Man’ makes a cameo — and its appearance makes a comment on how Gilead functions.
The sequel to Margaret Atwood’s dystopian classic provides an apt moment to consider attacks on women’s rights across the world.
The author has returned to Gilead, 35 years after the original novel was published.
Margaret Atwood’s handmaid has become a symbol of the subjugation of women. Anchorites were the medieval equivalent: women who were literally bricked up to keep them chaste.
Margaret Atwood’s classic novel imagined a society where women had almost no power. Hundreds of people gathered in Sydney yesterday to hear Atwood speak about dystopias – fictional and otherwise.
Series two of the award-winning show has now moved beyond the original novel.
In the much awaited second season of the TV series, Offred is more openly defiant than she was in Margaret Atwood’s novel. Still, the first two episodes remain true to the themes of Atwood’s book.
Principales colaboradores
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Associate Professor in Media, University of Notre Dame Australia
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Senior Lecturer, Literature and Screen Studies, Federation University Australia
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Reader in English, De Montfort University
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Associate Professor of Political Science, Rutgers University
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Lecturer, Universidad Complutense de Madrid
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Associate Professor; Rosemary Woolf Fellow, Tutor in Old and Middle English, Somerville College, University of Oxford
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Professor in the School of Cultural Studies and Humanities and Director of the Centre for Culture and the Arts., Leeds Beckett University
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Associate Professor of History, The University of Queensland
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Associate Professor of Political Science & International Relations, Valparaiso University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Associate Professor, Gender, Sexuality, and Women's Studies, Western University
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Assistant Professor, Department of English and Writing Studies, Western University
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Associate Professor, Philosophy, Western Sydney University
