One of the great satirical achievements of the mass media era, the editorial cartoon, is losing its centrality in the digital age. Yet the 'visual terrorism' of cartoons can cut through the verbiage of political commentary.
Anthropologist Percy Leason thought he was painting the extinction of Victoria's Indigenous people in the 1930s. He was wrong, but his portraits, part of a new exhibition at the National Gallery of Victoria, are surprisingly sympathetic.
Why is Cher, 71, celebrated when she wears a near-nude costume while Madonna, 58, receives revulsion? 19th century women's magazines reveal how the double standards of beauty for older women came about.
As Australians once found spiritual communion through allegiance to the British monarch, they find similar virtues in Anzac today. Can the republican movement connect with a large enough number of people in a similar way?
The yidaki, a musical instrument owned by the Yolngu people of North East Arnhem Land, is created by both termites and instrument makers, who tap trees to find hollow logs. A new exhibition tells its fascinating story.
Grotesques, prattlers, hysterical women ... historically, spinsters have had a raw deal in fiction. But astonishingly, the situation for older single ladies in contemporary novels has scarcely improved.
From witch-hunts to the suffragettes, belief in womanly werewolfs has flourished at times when the female gender was under threat. But in contemporary fiction, film and art, werewolf lore is evolving in surprising ways.
History is writ large in the remote areas around Woomera and the Nullarbor: from the fossils of microscopic, cell-like creatures to ancient stone tools to the deitrus of rocket tests and the painful legacy of the Maralinga atomic blasts.