‘Well behaved women seldom make history,’ wrote historian Laurel Thatcher Ulrich, and Revolt. She said. Revolt again. at Melbourne’s Malthouse Theatre takes the idea to its apocalyptic extremes.
In a world where public avenues for violence are increasingly open to women, Gal Gadot’s Wonder Woman presents us with an ethical and feminist model of fighting femininity.
The gathering of almost 500 female religious scholars in Indonesia in the world’s first Female Clerics Congress shows Muslim women’s fight for equality.
Unlike earlier lesbian and gay movements whose politics depended on visible identities, queer theory grew out of a critique of this – and perhaps that’s where Djuna Barnes sits.
BBC sitcom Fleabag rewrites the rules on depicting women in drama, freeing the female character from the mindless stereotyping that has straitjacketed women for so long.
The lack of strong female characters in children’s picture books is oft-lamented. But a new crop of books invites girls to write themselves into history.
Few would argue that exchanging cultural ideas could be construed negatively. But what happens when the influence and origins of that culture go unacknowledged and ignored?
Much of the non-Muslim world appears dismissive of the value Islam can have in Muslim women’s lives, but Islam is a crucial tool in the work of gender justice.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne