Expectations were high for the latest project from the creator of The Simpsons.
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Netflix and the like are already big business, but here’s why British film should focus more on Chinese subscription services
Is the Australian media industry willing to come together to fight against global streaming media companies, or will Australian media continue to battle each other?
In ten years, Netflix has built up a streaming business with a staggering 125m subscribers. Here’s what it needs to do next.
Media giants like ESPN may have thought that eSports was a fad but not anymore. Revenue from eSports video games are set to take over traditional sports leagues.
Netflix’s Chief Content Officer has said the streaming service is the future of film. But cinemas have survived many other threats to their dominance.
As streaming services become increasingly dominant, the relevance of the existing local content quota system is declining.
This is what happens when we stop assuming audiences can’t handle female-led sci-fi films.
The new Queer Eye has viewers hooked on its emotional ride through men’s lives, aiming to embrace diversity and counter toxic masculinity. Yet its focus on consumerism threatens its lofty ideals.
Netflix hit, Black Mirror, follows in the footsteps of other forward-thinking sci-fi storytellers.
Science fiction has a more important job to do – it allows us to see ourselves in a new light.
The new Netflix sci-fi series, with a gumshoe cyborg as its chief protagonist, mines a host of contemporary anxieties and aesthetic influences.
The history of human-machine collaboration suggests that AI will evolve into a “cognitive partner” to humankind rather than as all-powerful, all-knowing, labour replacing robots.
Seven rules for break up in the digital age.
Hollywood has long had a problem with diversity. But thanks to services like Netflix women have found a place for their stories, compelling Tinseltown to change.
Spike Lee’s updated his breakthrough movie, She’s Gotta Have It, and made a more political drama for the times.
In the coming year, media companies will be adjusting to a new reality – one that ultimately leaves consumers with fewer choices.
The makers of the wildly popular Netflix show, Stranger Things, have a political message as they allude to Trump with their hairy, orange Shadow Monster. But what are their actual politics?
Errol Morris’s new series is not a traditional documentary, but it’s doggedly committed to discovering what happened to Frank Olson.
True crime drama focuses on the inequality and degradation of working-class women in service in the 19th century.
Principais colaboradores
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Screen Studies, University of South Australia
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor of English, Flinders University
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Senior Lecturer & Research Fellow, Sex, Health and Society, La Trobe University
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Associate Professor in Cinema Studies, RMIT University
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VC Fellow, La Trobe University
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Senior Lecturer, University of the Sunshine Coast
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Professor, Queensland University of Technology
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Senior Lecturer in Media, RMIT University
