Edwina Preston approaches Nova Weetman’s ‘generous and open’ grief memoir from a place of shared loss.
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The South African novelist messes with the line between fiction and non-fiction.
An 8000-km hitchhiking trip is at the heart of Anna Broinowski’s Datsun Angel. Dominic Gordon, in contrast, kicks his young self around Melbourne’s alleys like a half-squashed can of energy drink.
For poet Robert Adamson, the natural world offered a form of deliverance.
Rushdie feared until he dealt with the attempt on his life, he ‘wouldn’t be able to write anything else’. The book is a clearly cathartic story of courage and resilience, but it’s curiously one-eyed.
Adele Dumont’s affecting memoir, The Pulling, draws the reader into the secrecy, shame and impulses behind trichotilllomania, or compulsive hair-pulling.
Award-winning, much-loved Australian writer Peter Goldsworthy is better equipped than most to write an illness memoir: he’s also a GP.
At 27, Robyn Davidson trekked through the Australian outback with four camels and a dog. In her long-awaited memoir we come closer to knowing why she made this journey.
Love and Money, Sex and Death ricochets between sparkling defiance, unravelled grief, and furious hope.
If there is an overriding theme in The Worlds I See, it is that human and artificial intelligence form a double helix.
Stephanie Land’s sequel to her mega-successful debut memoir Maid works as hard as she does – but while its details of low-income single-parent life as a student are valuable, it suffers by comparison.
A Memoir of My Former Self is a celebration of one of Britain’s most beloved and celebrated novelists.
Alex Miller is a man of humble origins, adventurous journeys, and a slow-burning but ultimately impressive literary career.
Two new memoirs make blind writer Amanda Tink ‘very proud’ of her community – and share the stories of blind writers, performers, teachers, activists and inventors.
As a diva, Streisand has consistently defied instructions not to do something by doubling up her efforts.
In Question 7, Richard Flanagan writes of the contingencies of history, and troubles the distinction between truth and fabrication.
Britney Spears’ memoir illustrates once again the potential lifelong damage that can be caused by being a child star.
My Life as a Jew is an honest and very personal book about a growing sense of Jewish identity, but it has its contradictions.
The book shares secrets – Mantel’s own alongside those of the writers, historical figures and places she describes.
Jessica Kirkman introduces readers to her Deaf grandparents’ experience – and to Deaf culture – in her memoir. And Sam Drummond recalls growing up with pseudoachondroplasia (a form of dwarfism) in his.
Les contributeurs les plus fréquents
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Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra
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Lecturer in Creative Writing, University of Sydney
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Professor in Gender History and the History of Sexuality, The University of Queensland
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Associate Professor, School of Humanities and Communication Arts, Western Sydney University
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PhD Candidate, School of Culture and Communication, The University of Melbourne
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Personal Chair, Literary Studies, Deakin University
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Emeritus Professor of Creative Writing, The University of Melbourne
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Historian, The University of Melbourne
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Casual Academic, Flinders University
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Senior Lecturer in Screen Studies, University of South Australia
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Associate Professor in Media, University of Notre Dame Australia
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Associate Professor, Griffith University
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Adjunct Associate Professor, Public and Environmental Policy, University of Tasmania
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Raimond Gaita est un·e ami·e de La Conversation
Honourary professorial fellow, Melbourne Law School, The University of Melbourne
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Associate professor, UNSW Sydney
