It’s been nine years since #OscarsSoWhite called out a lack of diversity at the Oscars. Has anything changed? Prof. Naila Keleta-Mae and actress Mariah Inger unpack the progress.
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Artículos sobre Oscars
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The success of ‘Oppenheimer’ at the Academy Awards presents an opportunity to think about critical criteria for viewing historical film — and what we are owed by historical filmmakers.
From the red carpet to the winners and the speeches, our experts dissect the 2024 Oscars.
Composer Jerskin Fendrix’s first-time film score is a hoot.
The first Arab woman nominated for two Oscars, Kaouther Ben Hania is a visionary and a feminist.
The film ‘Past Lives’ provides meaningful insights on how immigrant youth grow into their cultural identity.
Gladstone has used her platform in the run-up to this year’s awards season to highlight issues affecting Native American communities in America today.
This year’s picks reflect what most cinephiles already know: streaming is the last nail in the coffin in the shift away from cinema to television.
Beyond film, the Oscars spotlights the world of haute couture, where each design house involved in creating bespoke garments is celebrated for its distinctive esthetic.
Plenty of movies have explicitly religious themes, but some of the most interesting examples of faith or transcendence on screen are much more subtle.
Through their media savvy, two consultants were able to make the Oscars as much about the attire as the gold statuettes.
Using a variety of instruments and playing live music on the film set are all part of how composer Jerskin Fendrix generated brilliant sonic accompaniment for ‘Poor Things.’
Though only a few of Scorsese’s films focus on religious stories, deeper questions about faith, doubt and living in a violent world tend to haunt his movies.
Hopefully, Academy Award winners will be chosen because voters believed in the actors’ performances − not because of some meta narrative about their off-screen behavior.
Mahler’s inventive modernism and highly expressive writing communicated emotions shaped by his fascinating late-19th century life.
A tension between cult, critical and popular appeal is part of Norman Jewison’s most prominent legacy.
‘Past Lives’ is a beautiful story of childhood crushes, and the sorrow and agony that ensues when one party sends another party away to move to another stage of his or her life.
Jewison had a trailblazing commitment to the development of film in Canada, seen both in his founding of the Canadian Film Centre and when he visited us at the Windsor International Film Festival.
Saltburn’s soundtrack showcases an infectious iPod-shuffle of pot-luck noughties pop.
With meticulous attention to food and how it is prepared, the film’s plot embraces simplicity.
Principales colaboradores
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Lecturer in Communications and Media, University of Notre Dame Australia
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Senior Lecturer, University of Auckland, Waipapa Taumata Rau
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Lecturer, Fashion Enterprise, RMIT University
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Chair of Academic Board, Victoria University
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Assistant Professor of History, Hunter College
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ECR & Tutor, Media Department, University of Adelaide
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Lecturing in Film Music & Piano, University College Cork
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Associate Professor, Screen and Media, Flinders University, Flinders University
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Lecturer in Film and Television Studies, University of Leicester
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Associate Professor. Cinema Arts, School of Creative Arts, University of Windsor
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Associate Professor, Performance, Toronto Metropolitan University
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Program Head of Early Childhood Studies, University of Guelph-Humber
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Associate Dean, The University of Melbourne
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Research Fellow, Durham University
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Distinguished Professor of Media and Communication, Queensland University of Technology
