Regularly topping lists for ‘greatest song of all time,’ the former Beatle’s classic 1971 song is taken by many as an atheistic anthem.
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Artículos sobre Popular music
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Charlie Watts was the Rolling Stones’ drummer for almost six decades. A scholar of music – and a Stones fan – describes what he brought to the band.
David Byrne redefined the idea of what a band onstage looks like. Spike Lee has made a film about Byrne and his band that stands up with the best.
With his wonderful voice, fondness for strings and whistling and sad, beautiful stories, this American singer-songwriter lifts the spirits.
The recent furor from senior academics in response to a public lecture about the whiteness of music education reflects a longstanding race problem in music — it’s time to address this.
It may seem counter-intuitive to turn to Leonard Cohen’s ‘depressing’ songs during times of grief and uncertainty. But he shows there is always a reason to keep on keeping on.
A somewhat obscure 2003 science-fiction film has a luminous soundtrack, which brings surprising solace to a locked down world.
Formed in the Socialist Federal Republic of Yugoslavia, Laibach has offended all points of the political spectrum
His single Yeke Yeke was the first African song to pass a million in sales, but it’s meaning was best understood in Guinea, home of the griot and kora star.
Busking has long been a way for musicians to gain performance experience and garner a following. Digital platforms are powerful tools that can transmit local artists to global audiences.
Even though the way we access pop music has changed and gone digital, hitmakers lag behind other industries in terms of globalisation.
Surf music was born in 1960. Its twangy instrumentals can be traced through many artists from The Shadows and Fleetwood Mac to Australia’s The Sunnyboys and The Cruel Sea.
The music alone, despite its unquestionable majesty, cannot entirely explain the enduring appeal of a band that existed for barely two years before its lead singer took his own life.
Fifty years ago, on July 11, 1969, David Bowie released Space Oddity. With its adventurous orchestration, unsettling harmonics and melancholy narrative, the now classic song captured a moment.
Long known as a spectacle of quirky Euro-kitsch, this year’s contest more closely resembled singing TV shows such as The Voice. Notable exceptions, however, were Iceland’s Hatari and our own Kate Miller-Heidke.
The music of Scott Walker was central to the Golden Age of songwriters. It has inspired a multitude since, from David Bowie to Thom Yorke.
Sexual abuse in the music industry is a systemic, ongoing problem that won’t be resolved by just hacking away at the canon.
There are numerous women guitar virtuosos, from Joan Jett to Orianthi to St Vincent. Why are they so conclusively excluded from the rock canon?
Leonard Cohen’s letter to his former girlfriend on her death bed became a viral phenomenon. But the words that circulated on social media were a paraphrased version, not his own.
Remixing a Beatles album might be seen as both artistically redundant and cynically commercial. But this remixed classic allows us to experience the album in a new way.
Principales colaboradores
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Adjunct Senior Lecturer, School of Creative Practice, Queensland University of Technology
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Professor of Religious Studies, Michigan State University
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Associate Professor, Music Industry, RMIT University
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Faculty of Arts, The University of Melbourne
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Senior Lecturer in Music, Newcastle University
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Associate professor, Design, Edith Cowan University
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Emeritus Professor of Cultural Research, Institute for Culture and Society, Western Sydney University
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Associate Professor, School of Media, Creative Arts and Social Inquiry, Curtin University
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Senior Lecturer in Cultural Sociology, Griffith University
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Associate Professor of Popular Music, University of Sydney
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The University of Melbourne
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Personal Chair, Literary Studies, Deakin University
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Associate Professor in Social Sciences, University of Canberra
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Senior Lecturer in Journalism, Monash University
