Not just a great jazz singer, Sylvia Mdunyelwa was also an activist, educator, broadcaster and actress.
Musicians and producers can already utilize AI to realistically reproduce the sound of any instrument or voice imaginable.
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AI can streamline the painstaking work of mixing and editing tracks. But it’s also easy to see how AI-generated music will make more money for giant streaming services at the expense of artists.
AI music has no friends in the industry.
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From majors to indies to artists, the industry is in the unusual position of facing a common enemy.
The Online Streaming Act aims to level the playing field between streaming giants and legacy Canadian radio and television broadcasters.
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The Online Streaming Act is set to soon become law in Canada. The act is a step in the right direction, but more needs to be done to support BIPOC content.
Rema performing in the US. His hit Calm Down has gone viral - in part thanks to a choreographer named Loïc Reyel.
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Their popularity can’t be explained by the nostalgia of baby boomers or superior sound quality. So what’s going on?
Tobi accepts the Juno Award for Rap Album/EP of the Year during the Juno Awards in Edmonton on March 13, 2023. Tobi is among the many Juno-nominated and Juno-recognized artists who have received grants partly funded by Canadian radio profits.
THE CANADIAN PRESS/Timothy Matwey
Here’s how radio Canadian content policy started, and how Canadian legislation, C-11, could contribute to supporting and growing home-grown music in the digital era.
(From left to right) Maseo, Posdnous and Trugoy the Dove from the rap group De La Soul.
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With their back catalogue finally being made available on streaming services, a new generation of rap lovers will get to enjoy their groundbreaking work.
The episodes on this playlist span the start of the pandemic with its worldwide demonstrations against anti-Black racism, to the most recent violence this winter.
Use of Spotify Wrapped has quadrupled since its inception in 2017.
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Spotify Wrapped bills itself as a playful musical year in review – but for its users, its omnipresence on social media can inspire more negative feelings.
Part of the fascination with end of year roundups is that they’re a stocktake of the year – but they also give insights into the way we listen to music that might surprise some people.
Rebecca Giblin and Cory Doctorow’s new book reveals the tricks behind ‘Chokepoint Capitalism’ – how big corporations use low prices to lock in users and creators, while locking out real competition.
Ye, formerly Kanye West, lost some of his corporate partners after expressing antisemitic remarks.
AP Photo/Evan Vucci
Whether we’re talking songs that are popular on Spotify, or were Billboard hits through the ‘40s up to recent years, popularity cannot be attributed solely to quantifiable acoustic elements.
One of the recent shifts in podcasting has been the introduction of paywalls and exclusive content.
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By implementing paywalls, making exclusive content deals and incorporating ad tech, big media companies have reshaped what was once an entirely free and open ecosystem.
Irina Surdu, Warwick Business School, University of Warwick
The mud rarely sticks.
Neil Young isn’t the first artist to speak out about musicians’ relationships with large streaming servies.
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A Spotify boycott wouldn’t fix the working conditions of most musicians. Fostering a more equitable, community-based music culture requires changing how we listen to music and support its production.