From majors to indies to artists, the industry is in the unusual position of facing a common enemy.
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Artículos sobre Apple Music
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Here’s how radio Canadian content policy started, and how Canadian legislation, C-11, could contribute to supporting and growing home-grown music in the digital era.
All this ‘choice’ in streaming video on demand is undermining the market benefits of aggregation.
Most of your Spotify subscription fee goes to pop stars in curated playlists – even if you never listen to them.
Musicians and songwriters are struggling to survive while record labels are reporting record profits – here’s why this is happening.
A range of announcement were made at this year’s Worldwide Developers Conference, including the new ‘CarKey’ feature, and Apple’s decision to part ways with chip manufacturer Intel.
Movie studios are launching their own streaming apps but record labels aren’t about to do the same.
Greenhouse gas emissions from plastic production in the vinyl era is not a patch on the equivalent from running giant servers today.
Some of our favourite music formats might not be as environmentally friendly as we think.
In a time of an overwhelming amount of music available, discerning consumers have to be even more strategic.
Spotify, Apple Music and the like aren’t working for indy artists.
By offering single platforms exclusive rights for their new albums, some musicians are streaming against the tide.
What happened after artists such as Michael Jackson, J.D. Salinger and Franz Kafka died suggests it’ll be hard to keep Prince’s unpublished work out of the public eye, regardless of his wishes.
Gifted musician, peerless showman – and fierce protector of his copyrighted work. Prince fought battles that changed the direction of the music industry and are helping the next generation of artists.
New studies show that unethical reputations actually don’t concern consumers of streaming services.
Principales colaboradores
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Reader in Intellectual Property Law, Brunel University London
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Associate Professor, Department of Economics, Macquarie University
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Associate Professor in Musicology, University of Oslo
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Regents Professor of Law and Communication and Director of the Center for Law and Intellectual Property, Texas A&M University
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Professor of Strategy, Bayes Business School, City, University of London
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Lecturer in Marketing, Dublin City University
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Reader in Popular Music, University of Glasgow
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Associate Vice President for Entrepreneurship and Innovation, Clemson University
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Professor of Sustainable Development, Keele University
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Research Lead at Rhythm Obscura, University of Plymouth
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Lecturer in Film and Media, Bangor University
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Scholarly Communications & Copyright Librarian, University of Winnipeg
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Senior Lecturer, Department of Economics, Macquarie University
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Research Chair, Indigenous Approaches to Environmental Management, Keele University
