Once huge ratings draws, reality TV shows are facing dwindling audiences in the UK and elsewhere. Is this the end of the genre, or can it adapt to survive?
Rigor académico, oficio periodístico
Artículos sobre UK television
Mostrando 1 - 20 de 40 artículos
The Disney series is a magical mega-mix of Sally Wainwright’s greatest hits.
These are the shows that had our creative experts glued to the small screen in 2023.
Crimestoppers was originally founded in 1988 and now receives more than half a million reports each year.
Welsh language heist drama, Dal y Mellt, is being streamed on Netflix with the title, Rough Cut.
The BBC would be taking a huge risk if it abandons radio news, when so many worldwide listeners depend on it.
The spectre of the Troubles provides fertile drama for cop shows.
Sure, she has quirks. But TV detective Vera is no amateur. And Brenda Blethyn’s embodiment of her evokes a strong sense of place.
A survey of creative businesses in Wales reveals concern over labour force, red tape and access to European markets and funding sources.
Blade Runner’s vision of the future didn’t quite eventuate. Current TV shows such as Years and Years and Black Mirror explore more extreme versions of the present.
Authorities are struggling to deal with the unimaginable scale of online abuse – and young people are suffering as a result.
If “Black Mirror” is one of the most fascinating and disturbing series of the last ten years, it is because of its main character: technology.
Ordinary people have been getting their 15 minutes of fame on the small screen since the 1940s.
Climate change is mentioned in British television about as often as zombies.
Half a century of British classic television available online? Sounds good, but will it be enough to take on the Netflix juggernaut?
Gauche and awkward, a media star for the 21st century.
John Sullivan, who created Del Boy and Rodney, has been called a modern Dickens – now both their most famous works have been made into musicals.
It made for brilliant viewing, but Channel 4’s Brexit drama missed out on some important details.
Embracing change is the theme of Doctor Who’s fizzing series opener.
Phoebe Waller-Bridge’s funny, sassy, violent script doesn’t make a drama out of the two strong female leads, it normalises them.
Principales colaboradores
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Senior Lecturer in Contextual Studies for Film and Television, University of the Arts London
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Professor & Head of School for Film, Media & Performing Arts, University for the Creative Arts
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Professor of Television & Media Studies, University of Leeds
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Senior Lecturer in Media, Film and Cultural Studies, University of Sussex
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Principal Lecturer in Psychology, University of Brighton
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Professor of Communication, Cardiff University
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Professor of Media and Communications, Goldsmiths, University of London
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Professor of Media and Film, University of Huddersfield
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Senior Professor of Communication and Media Studies, University of Wollongong
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University of Winchester
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Honorary Professor in Media Policy, Glasgow Caledonian University
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Researcher, Lancaster University
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Associate Fellow in Film and Television Studies, University of Warwick
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Professor of Law, University of York
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Reader in 20th and 21st Century Literature, University of Salford
