Vincent Namatjira, Western Arrernte people, Northern Territory, born 1983, Alice Springs, Northern Territory, Close Contact, 2018, Indulkana, South Australia, synthetic polymer paint on plywood; Gift of the James & Diana Ramsay Foundation for the Ramsay Art Prize 2019.
Art Gallery of South Australia, Adelaide, photo: Grant Hancock
For too long, Cook was a promise recollected in pigment, bronze and stone. Contemporary First Nations artists are challenging this imagery.
Bush Fire At Top Yalgamungken 2015. Collection: Art at Swiss Re.
Image courtesy: Martin Browne Contemporary
Though galleries have since closed their doors, this reviewer got to see Mavis Ngallametta's works in all their glory. Their birdseye view of Country provides a perspective we're missing right now.
Michael Nelson’s Tjakamarra’s Five Stories, which sold for A$687,877 at Sothebys in London in 2016.
In some communities, art sales account for 15% of Indigenous income. They are vanishing with the coronavirus, making conditions worse.
Archie Roach performs during the annual Long Walk celebrations in Melbourne last May.
In his autobiography, Tell Me Why, musician Archie Roach tells the stories of loss, pain and survival behind his songs.
Maree Clarke’s Men in Mourning (2011).
Vivien Anderson Gallery
Bringing together innovative and traditional works, the Linear exhibition gives us a new map for sharing land and knowledge.
The Quandamooka Art, Museum and Performance Institute offers a new way of considering the shape of First Nations museums in Australia.
As musuems are forced to face their colonial past, could a radically re-imagined museum become a place for genuine exchange, reconciliation and restitution?
From Country to Culture:
Artist: Lisa Waup. Designer: Verner. Collection: Journeys.
Indigenous fashion design today is being shaped by First Nations people at every level.
Most Indigenous art works are produced in around 90 Indigenous art centres located in very remote regions of Australia.
Most Indigenous art works are produced in around 90 Indigenous art centres located in very remote regions. But there are staff and management issues, which can be solved by better VET programs.
The Indigenous flag flies above Victorian Parliament in 2017.
As the flag's copyright owner, Luritja artist Harold Thomas has the right to grant licences to whomever he pleases. Asking the government to buy back his copyright licence could be seen as an appropriation of Aboriginal property rights.
Detail from Fiona Foley Native Blood Type C photograph x cm Edition copy.
Art historians argue that the life of the artist should be viewed independently of their art but, for most Aboriginal artists, art is a cultural expression that encompasses their lives.
Miranda Tapsell in Top End Wedding, a new Australian film about identity and belonging, directed by Wayne Blair (The Sapphires).
Courtesy of Universal Pictures
Romantic comedy meets road movie in Wayne Blair's much anticipated new film.
An illustration of Palorchestes azael, a marsupial tapir from the Pleistocene of Australia. There is evidence that this extinct species is depicted in rock art from the Kimberley.
Nobu Tamura/Wikimedia Commons
It is plausible to suppose that human memories of long-extinct creatures today underpin many stories we have generally regarded as fiction.
Garry Sibosado, Aalingoon (Rainbow Serpent), 2018, ochre pigment on engraved pearl shell, detail.
Courtesy the artist
Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
Kathleen Petyarre looking across Atnangker country, Northern Territory, December 2000.
Photograph Ian North; courtesy Wakefield Press
Petyarre, who won the Telstra prize for Indigenous art in 1996, has died in Alice Springs.
Kamsani Bin Salleh and Matthew McVeigh, Foodland, 2018, found metal sign and acrylic, 125 x 400 cm.
Janet Holmes à Court Collection
This Perth exhibition is a raucous, overwhelming, exciting and at times confusing immersion into ideas about national identity.
Detail from Witchetty Grub Dreaming, Jennifer Napaljarri Lewis, Warlukurlangu Artists of Yuendumu.
Courtesy of the artist
A new exhibition pairs paintings by Indigenous Australian artists with microscopic images captured by scientists. The parallels, as this gallery of pictures shows, are intriguing.
A scene from the best-selling ‘Red: A Haida Manga,’ a revenge story.
Michael Nicoll Yahgulanaas
The "Haida manga" by Indigenous artist Yahgulanaas opens a graphic dialogue between the different cultures of the Pacific Northwest and East Asia.
Balgo artists: Miriam Baadjo (b. 1957),Tossie Baadjo (b. 1958), Jane Gimme (b. 1958), Gracie Mosquito (b. 1955), Helen Nagomara (b. 1953), Ann Frances Nowee (b. 1964) and Imelda Yukenbarri (b. 1954).
Bush medicine: a collaborative work by women from Wirrimanu (Balgo), 2018, acrylic on linen, 120×180cm, MHM2018.32, © Warlayirti Artists; Medical History Museum
At least half the food eaten by the first Australians came from plants. And in terms of medicines, many different parts of plants were used.
Artist Nyapanyapa Yunipingu is assisted by art centre worker Jeremy Cloake at Buku-Larrnngay Art Centre,Yirrkala.
White people hugely influence the Aboriginal art world – but that can be a good thing, according to the artists.
Detail from Emily Kam Kngwarray, Anmatyerr people.
Yam awely 1995
synthetic polymer paint on canvas
150 x 491 cm
National Gallery of Australia, Canberra Gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kam Kngwarray.
Today, beauty counts for little in the judgement of works of art. But our felt experience of beauty connects us with an object's maker, revealing a pure moment of humanity.