Commentators have been asking for years when the streaming giant will turn profitable – that time may now have come.
Academic rigor, journalistic flair
Articles on Apple Music
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My research found that people experience a weaker sense of ownership over their digital possessions and perceive them as less meaningful than physical ones.
From majors to indies to artists, the industry is in the unusual position of facing a common enemy.
Here’s how radio Canadian content policy started, and how Canadian legislation, C-11, could contribute to supporting and growing home-grown music in the digital era.
All this ‘choice’ in streaming video on demand is undermining the market benefits of aggregation.
Most of your Spotify subscription fee goes to pop stars in curated playlists – even if you never listen to them.
Musicians and songwriters are struggling to survive while record labels are reporting record profits – here’s why this is happening.
A range of announcement were made at this year’s Worldwide Developers Conference, including the new ‘CarKey’ feature, and Apple’s decision to part ways with chip manufacturer Intel.
Movie studios are launching their own streaming apps but record labels aren’t about to do the same.
Greenhouse gas emissions from plastic production in the vinyl era is not a patch on the equivalent from running giant servers today.
Some of our favourite music formats might not be as environmentally friendly as we think.
In a time of an overwhelming amount of music available, discerning consumers have to be even more strategic.
Spotify, Apple Music and the like aren’t working for indy artists.
By offering single platforms exclusive rights for their new albums, some musicians are streaming against the tide.
What happened after artists such as Michael Jackson, J.D. Salinger and Franz Kafka died suggests it’ll be hard to keep Prince’s unpublished work out of the public eye, regardless of his wishes.
Gifted musician, peerless showman – and fierce protector of his copyrighted work. Prince fought battles that changed the direction of the music industry and are helping the next generation of artists.
New studies show that unethical reputations actually don’t concern consumers of streaming services.
Top contributors
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Reader in Intellectual Property Law, Brunel University of London
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Professor of Strategy, King's College London
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Associate Vice President for Entrepreneurship and Innovation, Clemson University
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Research Chair, Indigenous Approaches to Environmental Management, Keele University
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Associate Professor in Marketing, DCU, Dublin City University
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Senior Lecturer in Management, Bayes Business School, City St George's, University of London
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Regents Professor of Law and Communication and Director of the Center for Law and Intellectual Property, Texas A&M University
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Research Lead at Rhythm Obscura / Lecturer in the School of Art, Design and Architecture, University of Plymouth
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Professor of Sustainable Development, Keele University
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Associate Professor, Department of Economics, Macquarie University
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Scholarly Communications & Copyright Librarian, University of Winnipeg
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Senior Lecturer in the Department of Culture, Media & Creative Industries, King's College London
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Professor of Competition Economics, University of East Anglia
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Professor of Competition Policy, University of East Anglia
