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Articles on Australian Theatre
Displaying 61 - 80 of 101 articles
Yaron Lifschitz’s spellbinding physical drama has just the right amount of play, death-defying tricks and whimsical imagery.
Evonne Goolagong Cawley’s biography is an intimate and personal play, tempered with humour and love.
Actor Eryn Jean Norvill’s portrayal of all the characters in The Portrait of Dorian Gray triumphantly illustrates Oscar Wilde’s notion of the self as a form of performance.
In Kodie Bedford’s first play, Bernadette returns to her family in Geraldton – where everything is as mad as ever.
Angus Cerini’s gripping new play is about murder, revenge and the unsettling power of the Australian bush.
While the name of the season - now online - suggests breaking through opera’s glass ceiling, the violent imagery fits the context of ecological disaster, inequality, mental illness, and dystopia.
Director Lee Lewis is at the top of her game in this play about family relations, Australia’s treatment of refugees, and the privledge inherent in the audience.
Playwright Jane Harrison’s The Visitors shows audiences how a group of Indigenous leaders might have debated what to do when the First Fleet landed in 1788 - but where are the women?
Jimmy Chi’s 1990 musical is given its first major stage revival – and leaves the audience singing along.
The world premiere of Nardi Simpson’s Black Drop Effect takes in the complex histories of Aboriginal responses to commemoration, and makes space for protest, cultural reclamation and negotiation.
This new play will feel familiar to those of us who grew up in Lebanese Australian families.
Clive James’ brilliant career began as an undergraduate at the University of Sydney in 1957, where he first honed his skills as a performer and writer.
A new show by indie performer Mish Grigor, with Aphids Theatre, explores all the exit opportunities that are available to us - and some doors that are better left closed.
From Perth’s Barking Gecko Theatre and the Black Swan State Theatre Company, Fully Sikh is Australia’s first professional theatrical work about growing up Sikh in Australia.
20 years on from Who’s Afraid of the Working Class? In Anthem, the Melbourne public transportation system behaves as a microcosm of larger political tensions and anxieties.
Stages worldwide seem to have been taken over by musicals made for movie-lovers. While this creative process has a long history, it can limit opportunities for original works.
New research shows less than 10% of Australia’s artistic directors come from culturally diverse backgrounds – but many didn’t want the research to be done at all.
This new production from Alison Croggon and The Rabble asks us to consider how women’s voices are ignored, and makes us listen across time.
Renewed interest in mid-century modern houses is more about substance than style. They represent the emergence of a new spirit and a coming of age in postwar Australia.
Top contributors
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Professor of Creative Arts, Griffith University
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Associate Professor of English Literature, University of Sydney
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Associate Professor of Theatre Arts, Curtin University
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Researcher, The Australian Centre, The University of Melbourne
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Associate Professor in Performance Studies, University of Sydney
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Associate Professor & Postgraduate Research Coordinator, Western Australian Academy of Performing Arts, Edith Cowan University
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Senior Lecturer, Discipline of English and Writing, University of Sydney
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Lecturer in Theatre, The University of Melbourne
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Lecturer in English, University of Newcastle
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Associate Head Learning and Teaching, Senior Lecturer Theatre and Performance, University of Tasmania
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Indigenous Scientia Senior Lecturer, UNSW Sydney
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Professor, Indigenous Studies and Director of The Centre for Global Indigenous Futures, Macquarie University
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Professor and Academic Director (Indigenous Research), La Trobe University
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Adjunct Associate Professor, Auckland University of Technology
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Senior Lecturer, English and Theatre Studies, The University of Melbourne
