50 years ago Art News published Linda Nochlin’s essay, Why have there been no great women artists? It would change how we see art and its institutions, and still reverberates today.
At a time when surrealists were objectifying women’s bodies, American artist Dorothea Tanning was looking deeper at the transformative potential of female experience and the unconscious.
Many Renaissance-era masterworks depicted rape and sexual assault as erotic. Beginning in the 1970s, artists worked to redefine rape as a crime of aggression and act of female subjugation.
Adélaïde Labille-Guiard was a supremely skilled artist. But like so many talented women before and since, she suffered from snide allegations that she could not be capable of such brilliance.
Born into late-16th century Papal Rome, Gentileschi transcended the path of utter obscurity that was the lot of her female peers to become one of the most famous painters of the day.
Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
The average Australian female artist is better educated than her male counterpart but earns significantly less than him, new research shows. And artists’ incomes are declining in real terms.