The art and design industry in Australia is demanding ‘mass customisation’ of works of art. Robots may be the answer – and they’re creating jobs already.
Sixty two countries are represented at this year’s International Architecture Exhibition. In the Australian Pavilion, 65 species of grassland plants fill a black cube.
In the 1930s, the Nazis used exhibitions to create a sense of belonging and support for their ideas. Today’s far right groups go online to create a similar sense of community.
A few years ago, a folklorist started gathering data on the creative ways graduates were embellishing their caps. From student debt to immigration, some themes quickly emerged.
Governments are using Big Data to design improvements and upgrades of cities. But ethical questions need to be considered, lest we end up jeopardising citizens’ privacy or deepen social inequalities.
Imagine a collaboratively-designed smartphone app that could provide cues to an autistic individual – about the emotional state of people they are communicating with.
Tech companies are beginning to recognise that there is an ethical dimension to their work, and that they have some responsibility for the well-being of their users.
The Australian Open tennis and the recent Ashes Test cricket series show why our sporting stadiums need to be “climate-proofed” to deal with extreme heat.
Cosplay and comic conventions are attracting millions of fans around the world, generating huge amounts of money and launching some interesting design careers.
Wine labels feature a seemingly endless variety of images, type and themes. But an analysis shows that two broad themes dominate, each with four subtypes, all to craft stories that appeal to consumers.
Top-end companies are investing in design features to make their offices more appealing to staff. But many workers are looking for more than just funky design from their workplaces.
On the occasion of the 2017 exhibition “Christian Dior: spirit of perfumes” at the International Perfume Museum of Grasse, we analyse the strategic positioning of four of Dior’s emblematic fragrances.