Three Gaelic-speaking lads become the unlikely face of an Irish language movement in Northern Ireland.
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Articles sur Hip hop
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When delivered with integrity, rap can be a cathartic experience for both the speaker and the community receiving the message
By what myths did Prodigy live? His 2012 autobiography suggested he saw himself as living in a mythical world of dual and conflicting forces.
Eminem has routinely used the lead singles from his studio albums to reintroduce himself. And Houdini is no different.
Music can provide incarcerated youth with opportunities to build confidence, engage with learning, develop social skills, and and redefine themselves from young offenders to young artists.
Beefs often target Drake’s race, constructing him as a Canadian who is not Black enough to claim an authentic connection to African-American hip hop culture.
The diss tracks released by rappers Drake and Kendrick Lamar raise interesting questions about defamation in music lyrics.
Since rap’s emergence, artists have boasted about themselves in ways that were funny and sometimes violent, vulgar and sexist. The popularity of the music and its exploitation can be dangerous.
A reconsideration of Nas’s literary clout, 30 years after the release of Illmatic.
Wales has a rich musical heritage, and the next generation is ready to take centre stage.
Since its birth 50 years ago, hip-hop music has embraced artists of every race and ethnic background. An avowed hip-hop hater might be a step too far.
A new documentary highlights teaching techniques of an educator who went the extra mile for her students.
Looking back at the history of the diss track, it is the strength of female emcees that stands out.
Asian martial arts and films functioned as mythic models which inspired Black and brown youth in the making of ‘urban warriors,’ and later the Wu-Tang Clan.
Canadian R&B artists, including Drake, have built lifestyle brands that simultaneously reinforce and challenge dominant beliefs about R&B music as Black and American, and Canadian identity as white.
Created as an art of resistance by Black artists in the U.S., hip-hop culture has inspired global struggles and youth culture across the world, including in Canada.
A critical race theory scholar explains why it’s problematic to use rap lyrics as evidence of a crime, and what some lawmakers are doing to protect artistic expression.
Modern music education is giving students more and more opportunities to create their own tracks.
The lyrics illustrate what it means to grow up young, black and deprived on the fortress like council estates of London.
Afrofuturism, a mix of science fiction, magic realism and liberation politics, has shaped some hip-hop artists’ work for decades.
Les contributeurs les plus fréquents
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Associate Professor of Hip-Hop, University of Virginia
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Research Lead at Rhythm Obscura / Lecturer in the School of Art, Design and Architecture, University of Plymouth
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Assistant Professor of Practice, Mills College
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PhD. Department of Religious Studies, McMaster University
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Rap Lyricist and Lecturer in Music Performance at Confetti Institute of Creative Technology, Nottingham Trent University
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Senior Curator of Australian and First Nations Art, National Gallery of Victoria, The University of Melbourne
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Casual lecturer, United States Studies Centre, University of Sydney
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Assistant Professor, RTA School of Media, Faculty of Communication and Design Forum, Toronto Metropolitan University
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Adjunct Senior Research Fellow in the Sir Zelman Cowen School of Music, Monash University
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Assistant Professor of STEM Education, Seton Hall University
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Senior Lecturer in Criminology, University of Brighton
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Lecturer in Improvisation & Contemporary Music, Victorian College of the Arts, The University of Melbourne
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Lecturer in American Studies at the US Studies Centre, University of Sydney
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Senior Lecturer in French and Francophone Studies, Bangor University
