The celebrated South African architect Sumayya Vally is the artistic director of the exhibition.
Canada geese and mallards at sunset, laser-etched with a pattern from sections of mosaic design of the Imam Mosque in Isfahan, Iran, seen in ‘Mallards Reeds’ by artist Soheila Esfahani.
(Soheila Kolahdouz Esfahani)
As Islamic geometric patterns and arabesque designs have migrated globally, they’ve been adapted, and may not even be recognized as bearing the influence of Islamic societies.
A new exhibition featuring works by16 women artists who share backgrounds in Islam is a tour de force.
Faithful in many religions, including Islam, may turn to healing amulets like necklaces and other small objects in difficult times.
Yawar Nazir/Getty Images
From magic bowls to holy shirts, Muslim cultures used various devices to protect the user from harm starting in the 11th century. Many of these objects were beautifully designed, too.
The biggest ever display of Islamic art at the Art Gallery of South Australia holds breathtaking masterpieces, and important lessons for all.
Art Gallery of South Australia/Saul Steed
No god but God at the Art Gallery of South Australia looks at over 1000 years of Islamic art, from Indonesia to Spain. It is a magnificent and necessary exhibition.
A section of Hoda Afshar, Westoxicated, from left-right, #3, #9, #5, #1, #7 (Under Western Eyes series) (2013-2014), digital prints, 105 x 92cm (each).
Courtesy the artist.
Those opposed to the building of new mosques don’t recognise their long history here, or potential to support Australian ideals. Mosques are part of our suburban landscape and can help overcome fears about Islam.
Khayamiya or Egyptian Tentmaker Applique provides a memorable introduction to Islamic art.
Photo by Timothy Crutchett Charles Sturt University
Islamic art in Australia is inaccessible and largely overlooked. It is rarely taught as a dedicated subject in Australian universities, and almost never seen beyond state capitals. Why?
Doctoral Candidate (Oriental Studies - Islamic Art and Archaeology), University of Oxford; Curatorial Researcher, Nicholson Collection, Chau Chak Wing Museum, University of Sydney