The choices of author and illustrator Crockett Johnson during the printing process – as well as his civil rights advocacy – make it entirely within the realm of possibility.
Indian cinema has portrayed dementia in various ways, with some films offering accurate and sensitive depictions, and others tending towards romanticization.
To understand how ‘Furiosa’ and other new films challenge car culture’s male-centric conventions, it’s useful to look closely at how car culture has favoured a certain kind of male hero.
It’s been nine years since #OscarsSoWhite called out a lack of diversity at the Oscars. Has anything changed? Prof. Naila Keleta-Mae and actress Mariah Inger unpack the progress.
The success of ‘Oppenheimer’ at the Academy Awards presents an opportunity to think about critical criteria for viewing historical film — and what we are owed by historical filmmakers.
For all its praise, the film furthers the dominant narrative of the bombs as a morally fraught but necessary project, with American anxieties playing a starring role.
Though only a few of Scorsese’s films focus on religious stories, deeper questions about faith, doubt and living in a violent world tend to haunt his movies.
Non-English language cinema – previously seen by niche audiences – is increasingly finding acceptance and recognition, reflecting the many demographic changes taking place within the academy.