Ruth Mackenzie’s Adelaide Festival of Arts has two heavyweights, performance artist Marina Abramović and avant-garde artist and musician Laurie Anderson.
This production by Western Australian interdisciplinary theatre makers Too Close to the Sun is an experiential encounter with the liminal space between life and death.
A straight cis-man could have made “herstory” as “America’s Next Drag Superstar.” Drag Race’s inclusion problem botches racialized queer histories, community discomfort and ally participation.
Many Renaissance-era masterworks depicted rape and sexual assault as erotic. Beginning in the 1970s, artists worked to redefine rape as a crime of aggression and act of female subjugation.
Drags kings have recently been declining in popularity, partly due to the evolving debate around gender and identity. But now a new and more inclusive drag culture is taking the stage.
In a world seemingly spinning out of control, music has important roles to play – either to reflect or interpret the state of affairs, or simply to provide solace.
Ghana’s Chale Wote festival’s main aim is to provide an alternative platform for the arts. It uses street arts to break creative boundaries and cultivate a wider audience for the arts in West Africa.