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Articles on Colonialism

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One of the first dilemmas that black people face is whether to let strangers touch their hair – and under what circumstances. Thomas Mukoya/Reuters

From slavery to colonialism and school rules: a history of myths about black hair

When it comes to black hair, “common sense” is the least reliable tool for decision making since even black people are constantly changing their minds about what they want to do with their hair.
Lithograph, ‘Burning of the Garden Palace, Sydney’, Gibbs Shallard and Company, Sydney, 1882. Museum of Applied Arts and Sciences, Sydney.

Lighting spotfires under a palace of colonial power

Sydney’s Garden Palace, which burned to the ground in 1882, was a monument to empire’s glory. Indigenous artist Jonathan Jones is now working on an epic exhibition that will explore this historical epoch from an Aboriginal perspective.
Outgoing UN Secretary-General Ban Ki-moon’s successor faces the challenge of making the organisation more accountable. UN

What can be done to stop the United Nations abusing its immunity

The ‘functional immunity’ granted to UN officials made good sense when the body was founded after World War II. But as its organisational functions have expanded, so has this immunity.
Menageries of the 19th century brought exotic animals (and people) to Western society – as do many zoos today.

Is it time to break with colonial legacy of zoos?

The shooting death of Harambe the gorilla has once again raised concern for the well-being of zoo animals. But animals in zoos may be fated by the very institution we have created to protect them.
A picture of strength: lifelong activist Bonita Mabo OA in front of her portrait as a young woman, which features in her granddaughter Boneta-Marie Mabo’s first solo exhibition. Josef Ruckli, courtesy of the State Library of Queensland

Black Velvet: redefining and celebrating Indigenous Australian women in art

Boneta-Marie Mabo’s art responds to a colonial past in which Aboriginal women were fetishised as “black velvet”. But it also celebrates strong women, including her activist grandmother Bonita Mabo.
Whose story are you telling? Neil Armfield’s The Secret River is a chronicle of colonialism. The Sydney Theatre Company/Heidrun Löhr

The Secret River, silences and our nation’s history

The stage version of The Secret River gives us a deeper sense of our history. But can understanding the past from different perspectives help us confront the inequalities that linger in our present?
Map of the Sykes–Picot Agreement showing Eastern Turkey in Asia, Syria and Western Persia, and areas of control and influence agreed between the British and the French in May 1916. Royal Geographical Society via Wikimedia Commons

The post-colonial caliphate: Islamic State and the memory of Sykes-Picot

The leaders of Islamic State do not see their caliphate as an exercise in theocracy for its own sake, but as an attempt at post-colonial emancipation.

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