Simu Liu plays the title character in the upcoming film Shang-Chi and the Legend of the Ten Rings.
The Marvel Cinematic Universe is becoming increasingly diverse, on and off screen. The franchise’s continued success depends on remaining culturally relevant.
What is Marvel if not mythology persevering?
WandaVision Images/Disney Plus
‘WandaVision’ reimagines stories from Egyptian and Greek mythology, as well as Buddhist tradition.
Avengers: Endgame contained 2,500 visual effects – or VFX – shots. So what are visual effects, and how do they get to the big screen?
Looking to the future, President Joko Widodo (centre) voiced a strong intention for Australia and Indonesia to become partners in developing the Pacific region.
Even though Australians and Indonesians are both friendly and easy-going, systemic boundaries can slow down the process of collaboration.
‘Avengers – inflate!’
Disney says the Marvel movie just beat ‘Avatar’ as the top-grossing movie of all time. Inflation tells a different story, as an economist explains.
Jeremy Renner and Robert Downey Jr. as Hawkeye and Iron Man
Walt Disney Studios Motion Pictures UK
As Marvel’s 22nd blockbuster looks set to become the most successful film of all time, is Hollywood running out of original ideas?
Cap is probably not a fan of inflation.
It’s why Marvel’s effort to break the worldwide box office record is doomed, as an economist explains.
In Avengers: Endgame, Clint Barton (aka Hawkeye) experiences insurmountable loss. Perhaps his grief represents our fear of making sacrifices to save the planet.
Although not pitched as one, Avengers: Endgame is an environmental movie. But in reality, we need to face our fears and find solutions, rather than perpetuating the fantasy of regressing into the past.
In the latest Avengers film, our heroes grapple with the consequences of villain Thanos wiping out half the population. The study of resource management shows why this wouldn’t necessarily solve hunger and resource scarcity.
Marvel villain Thanos wiped out half the universe’s population to create paradise. But as the Avengers find out in Endgame, solving resource scarcity is not that simple.
Even Thanos has a retirement plan…
Plenty of movies have tried to play with time travel to help develop their plot. But Avengers: Endgame adds a little quantum mechanics into the mix as well.
Virtual assistants are often assumed to be female – perpetuating gendered assumptions in our imagined future.
Scarlett Johansson as Black Widow/Natasha Romanoff in Avengers: Infinity War.
©Marvel Studios 2018
Marvel will need to look deeper than basic representation for its future success.
Avengers: Infinity War is more than empty spectacle, particularly due to its complex villain Thanos.
To some, superhero films are the equivalent of fracking. But they offer audiences transcendence, mystery, a moral compass, and even the hope of salvation.
The Justice League should be a sum of its parts but the question remains: Who is the protagonist? From left: Cyborg, Flash, Batman, Wonder Woman, Aquaman.
The reviews are coming in pretty harsh for Justice League. If Superman is awesome and Batman is awesome and Wonder Woman is awesome, shouldn’t the three of them together be thrice as awesome?
The ubiquitous superhero finally seems to be growing up and moving on.
Eneas De Troya
It was the year of the grown-up superhero. Dark, witty and complex, superheroes on the big and small screen have – mostly – matured past mindless violence.
Captain America was one of several nationalistic superheroes created during the Second World War era.
Speaking with Jason Dittmer on superheroes and fascism.
America's flirtations with fascism in the 1930s and the influence of the Second World War gave rise to nationalistic, quasi-fascist superheroes who are still relevant and popular today.
Black Widow, in Marvel’s Avengers: Age of Ultron, released this week.
Jay Maidment ©Marvel 2015
Avengers: Age of Ultron, released this week, is one of many superhero films destined for the multiplex in the coming months and years. What’s behind this trend? And what kind of villain would be powerful enough to stop it in its tracks?
In the fall of 2010, as The Walking Dead was about to debut on TV, I launched my Media Genres: Zombies course at the University of Baltimore and examined what that horror subgenre reflects about our culture…