Beyoncé’s country-inspired album has caused a stir because the country music scene has a history of racial segregation that has erased its Black roots and gatekept it from Black artists.
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Articles sur Beyonce
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To truly appreciate the track, it’s important to go beyond the long shadow of the Beatles’ version.
Confinement was the essence of Linda Martell’s brief career as a country star in the 1970s – and it’s the exact sort of fate that Beyoncé has sought to avoid.
The benefits of consuming olive oil have been known for years – but the evidence about using it for skincare is fairly mixed.
Her new album, ‘Cowboy Carter,’ arrives at a moment when country music’s reputation as overwhelmingly white is finally starting to crack.
African artists with major US industry support have the advantage - now more than ever.
What causes people to obsess over celebrities – to the point where they’re willing to do whatever it takes to make contact? Criminology may hold some answers.
A murderous super fan, Dre is the messy Black female character audiences deserve.
She doesn’t have the most streams or biggest sales figures but she does have a die-hard fan base.
Africa is considered too high risk as a destination for big US pop tours - but Beyoncé could and should break the mould.
With his new album Love, Damini he has conquered the world. But how much of his creative soul does he have left?
On Renaissance, Beyoncé pays tribute to the queer history of house and disco music.
It’s not a copyright infringement, it’s a far more complicated and personal issue.
With Renaissance, Beyoncé is again shaping pop culture, honouring black disco pioneers and Africa’s rise.
Renaissance is Beyoncé’s first solo album in more than five years, and her first fully dance album.
His rhythmic sounds connected with the diaspora and his collaborations with stars like Drake and Beyoncé elevated his name.
The increased migration of Africans and the global growth of hip hop culture has seen a dynamic new generation of Pan Africanism emerge.
Both Black Panther and Beyoncé’s Black is King represent a utopian vision of empowerment and connection to Africa.
From a quiet start to cultural dominance, Beyoncé’s work over the last decade is groundbreaking. But it is also filled with questions and contradictions.
The history of recorded music has been marked by endless artistic and technological changes. While music labels persist, digital technology has profoundly altered why they exist and how they work.
Les contributeurs les plus fréquents
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Reader in Screen Studies, Manchester Metropolitan University
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Professor of American Studies and English, Middlebury
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Senior Lecturer, The University of Melbourne
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Doctor of Music Candidate, University of Pretoria
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Lecturer in Screen Media, University of the Sunshine Coast
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Visiting Research Fellow University of Chester, University of Chester
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Associate professor, Music Industry, RMIT University
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Professor and Associate Dean - Diversity, Belonging, Inclusion, and Equity, Australian National University
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Executive Officer, National Collections & Marine Infrastructure, CSIRO
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Professor of Wildlife Conservation, University of Salford
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Honorary Professor, Edith Cowan University
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Lecturer, University of Leicester
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Lecturer in Communication, University of Southern Queensland
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Adjunct Lecturer, Women's and Gender Studies, Rutgers University
