Yayoi Kusama, arguably Japan's most famous living artist, has been making art for 65 years. A new exhibition traces her output: from her dazzling mirror and polka-dot infused installations to paintings and sculptures.
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Articles sur Visual art
Affichage de 101 à 120 de 257 articles
For centuries, women with dwarfism were depicted in art as comic or grotesque fairytale beings. But artists are challenging these portrayals and notions of beauty and physical difference.
The artists in this inaugural event have created works within, on and around the buildings of an old port town.
In 1983, Mirka Mora painted a 21-metre mural in the forecourt of the Perth Concert Hall. The story of this remarkable painting's creation is fascinating.
The quest to create a robot that is indistinguishable from humans has become all-consuming for some scientists, engineers and technicians. The consequences could be both beneficial and catastrophic.
To fix the world's ecological crises we'll have to make some tough choices, particularly living with less stuff. Art can play an essential role in imagining and communicating a more sustainable future.
The shipwreck of the Batavia and subsequent murders of 115 men, women and children have inspired many retellings. A new exhibition combines art and science to find new angles on an old tale.
Archaeologists have a long tradition of taking artists along on their expeditions. A new exhibition in Cyprus aims to revive the practice.
The Ecstasy of St Teresa is the point of departure for a new exhibition examining ecstasy in all its guises, from the sexual to the spiritual to the banal.
A new exhibition features more than 50 works by Fred Williams, centred on the You Yangs peaks, west of Melbourne. They illuminate a breakthrough moment in Australian art.
A retrospective exhibition of Gareth Sansom's 60-year career is bold, provocative and exquisitely crafted.
This year's annual Archibald, Wynne and Sulman Prizes both reaffirm traditions and confirm new directions in the arts establishment.
A major exhibition of Jenny Watson's work at Sydney's Museum of Contemporary Art spans 40 years in the creative life of a rule-breaking Australian artist.
Hokusai's Great Wave is the enduring image of Japanese art. Less well known is the story of its primary pigment - Prussian blue - which was created in a lab accident in Berlin and sparked 'blue fever' in Europe.
Artists invented the word 'robot', but now robots are becoming artists, or at least assistants, themselves. As robots get smarter, artists will find more and more uses for them, particularly in sculpture.
Composer John Burge speaks of his drive to create a musical piece to mark Canada's 150th year of confederation and to capture our collective experiences.
Anthropologist Percy Leason thought he was painting the extinction of Victoria's Indigenous people in the 1930s. He was wrong, but his portraits, part of a new exhibition at the National Gallery of Victoria, are surprisingly sympathetic.
Jim Dine and other pop artists like Andy Warhol took everyday things and transformed them into magical objects. In his prints a robe could become a self-portrait, a president, or a hero.
The Men's Painting Room - a Nissen hut in the government settlement of Papunya - is Australian art's most important atelier. A new form of creative expression happened here.
MONA's latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
Les contributeurs les plus fréquents
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Principal Fellow (Hon), Victorian College of the Arts, University of Melbourne. Editor in Chief, Design and Art of Australia Online, University of Melbourne
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Professor, Chief Cultural Officer, Cultural Precinct, University of Western Australia
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Adjunct Professor of Art History, Australian National University
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Professor in Art, Curtin University
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Honorary Senior Lecturer, Australian National University
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Lecturer - School of Art, RMIT University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Lecturer of art history, Griffith University
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Art writer and Tutor, UNSW
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Felicity Fenner est un·e adhérent·e de The Conversation
Associate Professor at UNSW Art & Design, UNSW
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Lecturer in Interdisciplinary Creative Practice, University of Tasmania
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Artist, Curator, Producer, RMIT University
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Reader in Cultural Theory, University of Huddersfield
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Adjunct Senior Lecturer, Queensland College of Art, Griffith University
