Even as our world goes digital, there will always be an appetite for craftsmanship, for art and for the work only human hands can truly bring to life. Art and design schools should celebrate creators.
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The “Haida manga” by Indigenous artist Yahgulanaas opens a graphic dialogue between the different cultures of the Pacific Northwest and East Asia.
Despite the beauty and novelty of the objects in the NMA’s new exhibition of Islamic art, the exhibition misses opportunities to make Islamic cultures comprehensible.
In his Bicycle Wheel, Duchamp made the perfect kinetic Futurist sculpture.
McNaughton’s works elicit giddy mockery from the left and effusive love from the right. Why do they resonate so strongly?
The art and design industry in Australia is demanding ‘mass customisation’ of works of art. Robots may be the answer – and they’re creating jobs already.
Disease and disorders can affect how we see. Can the images in painted artworks tell us something about the state of an artist’s vision?
ABC’s cancellation of the hit reboot Roseanne because of its star’s racist tweet raises complex questions about freedom of speech and the line between public and private selves in the age of social media.
Synaesthesia – a rare experience where the senses merge – comes in many different forms.
Comics often portray those with dementia as abnormal or less than human.
It is some years since such a classical work as Yvette Coppersmith’s has won the Archibald.
Hers is a most intelligent self-portrait in the very mannered style of George Lambert’s work.
There’s a disturbing disconnect between the polite etiquette of arms fairs and the hell that their products create.
Figurative art may derive from Neanderthal hand prints and the hunter’s keen eye for perceiving animals.
They’re silly, but the singer’s statement pants are an important comment on female storytelling.
Essays on Air: can art really make a difference?
The Conversation26,8 MB (download)
Art has always depicted the crimes of our times throughout centuries of wars and humanitarian crises. Can we really expect it to truly make a difference in the real world?
Charging over £20 for admission is one thing – but what about reaching beyond the usual audience?
Despite various exceptions, the UK’s proposed ivory ban will be among the toughest in the world.
Philanthropists are creating new galleries to share their private collections with the Australian public. But these gifts do not ameliorate the deficit left by declining government arts fundings.
Turkish painter Esref Armagan uses colour and perspective that he has never seen.
Artists have long tackled global issues, from war to human rights. While Picasso’s celebrated Guernica may not have stopped the Spanish Civil War (or any war), art still holds value, as witness and as truth teller.
Kontributor teratas
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Joanna Mendelssohn adalah Sahabat The Conversation.Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Associate Professor in History of Art, University of Nottingham
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Lecturer in MA Creative Media Practice and BA(Hons) New Media Art, University of the West of Scotland
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Director, Gender and Women's History Research Centre, Australian Catholic University
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Senior Lecturer, Art and Public Engagement, King's College London
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Reader in Intellectual Property Law, City, University of London
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Senior Lecturer in Sociology and Criminology, York St John University
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Associate Professor Visual Communication, University of Technology Sydney
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Professor of Computer Science and Director of the Art & AI Lab, Rutgers University
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PhD Candidate, School of Culture and Communication, The University of Melbourne
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Lecturer, School of Art & Design, Nottingham Trent University
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PhD candidate in the History of Art, University of York
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Dean, College of Fine Arts, UNSW Sydney
