New studies show that unethical reputations actually don’t concern consumers of streaming services.
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Conceptions of forced displacement are very often tied to the notion of “loss”. But certain things do remain.
The unauthorised use of Neil Young’s Rockin’ in the Free World at Donald Trump’s presidential campaign launch raises several questions – and gives us something beautiful to ponder.
Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.
The way Africa consumes is music has changed dramatically because of the smartphone explosion.
Online streaming offers benefits for consumers and the companies providing the service, but thus far it hasn’t been paid off for artists.
The rock promoter thinks festivals are on the way out. But he couldn’t be further from the truth.
Not all children move through the same range of processes when they compose music – but those processes, in themselves, nurture important human qualities.
Stanley Donwood has been designing Radiohead’s artwork since 1994. Ahead of his retrospective at Sydney’s Carriageworks this month, we consider the role of art in creating a band’s visual identity.
For all the harm that austerity may have done, it looks to have galvanised music from the margins
Eurovision is popularly heralded as the song that unites Europe, but recent controversies about gender, social justice and human rights paint a different picture.
There are those who believed that BB King wasn’t the world’s greatest guitar player, including the man himself.
A lot happens when computer science and pop music collide.
Tansy Davies’s opera raises serious questions about the appropriation of horrific events into art works.
As Record Store Day shows, there’s a lot more to the vinyl revival than simple nostalgia.
Bowie and the Bible have long been tied together in the work of director Ivo van Hove.
The latest streaming service is artist owned, which sounds great unless a group of 16 “top-tier” artists receive most of the royalties.
Social media has responded to the news with unbelievable force. So what is it about this band that produces such a reaction?
We all know the rock adage of “live fast, die young” but is membership of different music genres associated with different risks of early death and different causes of death? Surprisingly, yes …
A jury in the US has awarded damages of nearly US$7.4 million to Marvin Gaye’s family in a lawsuit against singers Robin Thicke and Pharrell Williams. Aren’t we missing the point of copyright?
Kontributor teratas
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Head of School of Psychology and Speech Pathology, Curtin University
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Associate Professor, Music Industry, RMIT University
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Piano Performance Fellow, The University of Queensland
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Senior Lecturer in Communication, University of Technology Sydney
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Principal Fellow and Professor of Music, The University of Melbourne
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Senior Lecturer in Music, Southern Cross University
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Professor of Music, Australian Catholic University
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Senior Lecturer in Music, Newcastle University
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Senior Lecturer in Journalism, Monash University
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Deputy Head of School, Senior Lecturer in Piano and Musicology, School of Music, Australian National University
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Lecturer in Music, Queensland University of Technology
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Professor of Music, City, University of London
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Adjunct Senior Lecturer, School of Creative Practice, Queensland University of Technology
