Leah Ashwood, Jasper Lloyd, and Texas Watterston in The School (2018).
Bronte Pictures, Head Gear Films, Kreo Films FZ
Some of the best examples of horror and fantasy genre films have emerged from Australia. Unfortunately, The School is not one of them.
Geoffrey Rush as Basil Hunter on a ferry near Luna Park Sydney in Fred Schepsi’s The Eye of the Storm (2011).
A marvellous exhibition of Australian film stills, now showing in Adelaide, offers a form of visual ethnography.
Mike Wheeler (Sam Smith) and his taxi driver (Sher Alam Miskeen Ustad) in Jirga.
Jirga has a clear message to the Taliban, Westerners, and other Afghans - even in the horror of warfare you can’t escape moral accountability.
In Cargo, Martin Freeman plays Andy, a man who has to kill his wife after she turns into a zombie and travels across country with baby daughter Rosie on his back.
Addictive Pictures, Causeway Films, Head Gear Films
In Cargo, zombies roam Australia and Aboriginal people living off the land are best equipped to repel them. The first half hour is brilliant but the film becomes far less satisfying.
Hilary Cole, Helen Dallimore and Maggie McKenna in Sydney Theatre Company and Global Creatures Production of Muriel’s Wedding the Musical.
© Lisa Tomasetti
Muriel Heslop stole Australia's heart when she debuted on screen in 1994. Now she gets a loving, ABBA-filled musical tribute, that is definitely not terrible.
Amazon this week purchased the global rights to J.R.R. Tolkein’s The Lord of the Rings to turn it into a television series. What are the implications for Australia's content and its global reach?
Bachelorette Sophie Monk with this year’s contestants.
The Bachelorette might appear to be a progressive alternative to The Bachelor, but it is actually doing nothing for women when male bonds are central to its drama.
Natassia Gorie Furber and Hamilton Morris in Sweet Country.
An Aboriginal man shoots a white landowner in self-defence, triggering a tragic tale of racism in 1920s Northern Territory.
Starting from … Now! tells the story of four women in Sydney. It’s one of many successful web series transforming the TV landscape.
Starting from ... Now!
From a supernatural lesbian drama to lipsynching female comedians to a popular You Tube science show, Australian web series are thriving.
David Gulpilil as the tracker Moodoo in the 2002 film Rabbit Proof Fence.
Rumbalara Films, Australian Film Commission, The, Australian Film Finance Corporation
Watching David Stratton’s loving recall of Australian films of the past 50 years over the past three weeks on the ABC, makes you realise how much impact they have had on us all. As one actor says, our…
Sydney Opera House during this year’s Vivid Festival: now, more than ever, we need artists to tell us the truth.
There was once a sense of excitement about creating a genuinely Australian culture and making our own way in the world. What's happened to that optimism?
Adaptations are a learned skill – can Australian cinema do it successfully?
The Dressmaker/Universal Pictures
With the success of films like The Dressmaker, book adaptations are giving a much needed boost to the Australian box office. So why are there so few? And why isn't adaption a compulsory part of screen studies?
Filmmaker Paul Cox pictured with actor David Wenham in 2012.
Editing a movie beside the late, great Paul Cox was like attending 'a one on one' film school. The growling auteur was a brilliantly stubborn man, who treated film with reverence and wore his heart on his sleeve.
Aaron Pedersen reprises his Mystery Road role as Jay Swan in Goldstone. Ivan Sen’s latest film draws together white, black and Chinese Australia.
The Sydney Film Festival opens on Wednesday with the world premiere of Ivan Sen's Goldstone. There is no filmmaker working here today who is more adept at touching the raw nerves of Australian culture.
Michael Hutchence bought name recognition to Dogs in Space.
The Making of Dogs in Space
Richard Lowenstein's 1986 film Dogs in Space was a punk circus/social document that alienated many. But on the film's 30th anniversary, it seems the world has caught up with it and a new audience of fans has emerged.
This year’s Tropfest has run into trouble – what does that mean for Australian filmmakers?
The future of the worlds largest short film festival hangs in the balance. Can Tropfest survive? And, if not, what's the loss to Australia's film industry?
Love complicates the complex marriage deals arranged by parents on the island of Tanna, though rarely with such profound ramifications as those depicted in the film.
The new Australian film Tanna, which won two awards at Venice Film Festival, is as much a tale about romance as it is globalisation.
Gold Coast Mayor Tom Tate, Queensland Premier Annastacia Palaszczuk, Disney Studios Vice President Mary Ann Hughes and Screen Queensland CEO Tracey Vieira pose at Village Roadshow Studios on the Gold Coast last week.
AAP Image/Dave Hunt
For every film, specialists are employed for everything from rigging the lights executing the stunts. The announcement of two major new productions coming to Australia will develop that expertise.
The Academy Award-winning penguins in Happy Feet sit in a long and distinguished history of Australian animation.
This year marks the centenary of Australian animation. Alongside some memorable international successes, animation has long been significant to the industry.
Road to the promised land.
Warner Bros. Pictures
From Furiosa's revenge to Max's exodus, there are shades of Judaism in this desert epic.