If theatre, film and TV is to accurately reflect the world we live in, then the actors cast must reflect that diversity too.
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Articles on Film
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Because the Kremlin hopes to project strength and unity, history isn’t used as much to inform as it is to inspire, with events cherry-picked to fit within a fuzzy framework of ‘Russian greatness.’
Self-expression from the streets.
There’s a reason why horror films are becoming more and more absurd.
Robert Eggers’ indie film The Witch brilliantly chronicles Puritan life in the 1630s. Horror soon ensues as children disappear into the woods and one girl, Thomasina, is accused of witchcraft.
Vaccination is not to be taken for granted.
No happy endings in this dark fantasy about lost children.
Woody Allen said it was “sad”. Quentin Tarantino said he needed to nurse his own “pain” and “emotions” about the revelations. Oliver Stone took it further – it was not just that he gave the nod to Woody…
Women change working cultures – and as the Harvey Weinstein allegations show, Hollywood is badly in need of it.
Blade Runner 2049 represents a failure of the imagination. The film is a series of events strung together and steeped in narcissism, excessive self-absorption, isolation and regressive politics.
Audience research suggests Star Wars has still ‘got it’.
Denis Villeneuve’s much anticipated Blade Runner 2049 has met with mostly praise and a few notably dour takes. It appears to be yielding disappointing results at the box office. While the film is visually…
An Aboriginal man shoots a white landowner in self-defence, triggering a tragic tale of racism in 1920s Northern Territory.
The obstreperous exclamation mark that holds a bullhorn to the title of Darren Aronofsky’s latest film befits both the mounting clamour of the work itself, and a director who, in 48 years, has yet to discover…
American cinema mines Greek myth most strongly at times of profound social anxiety. In the age of Trump, we are already seeing key political battlegrounds framed as underworld quests in film.
What will the future of film look like?
This year’s Toronto International Film Festival is a further example of how science, technology, engineering and math illuminate movies – and, in the process, our minds.
Far from grasping at Cold War certainties, Le Carré’s Smiley embraces the changing role of the British spy.
Why whiteness became the ‘norm’.
With the wealth of data being created nowadays, new forms of artistic collaboration with scientists are emerging.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Film Studies, Bangor University
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
