Catherine II, holds a significant place in Russian history. The Great doesn’t pretend to adhere closely to the historical record.
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Understanding how Netflix, to date, has fostered screen sector equity and capacity matters as the CRTC consults about Canadian and Indigenous content.
The backlash against Netflix’s documentary asks the question of how brands should take more responsibility when representing other cultures.
The writers strike lays bare all the ills of working on one of the lowest rungs of the entertainment industry.
A battle is looming between broadcasters, streamers and manufacturers for control over our TV remote controls.
The Online Streaming Act is set to soon become law in Canada. The act is a step in the right direction, but more needs to be done to support BIPOC content.
Welsh language heist drama, Dal y Mellt, is being streamed on Netflix with the title, Rough Cut.
‘Happy’ music is usually written in a major key with a bright tone, featuring instruments with a bright timbre, such as trumpets or electric guitars.
Their popularity can’t be explained by the nostalgia of baby boomers or superior sound quality. So what’s going on?
Big-name awards can certainly be a boon for Black filmmakers and actors. But they don’t reflect the breakthroughs that have been made in the types of Black stories that are getting told.
Season four of You delves into the misogyny and monstrous behaviour that can lurk beyond university facades.
Creating an emotional bond and an intimate relationship is the motivation for ‘intimacy seeking’ stalkers and Joe Goldberg’s character portrays this effectively.
She doesn’t have the most streams or biggest sales figures but she does have a die-hard fan base.
There is a lot to parody about psychiatry but this show falls short on many fronts.
New streaming regulations have been announced as part of the Labor Party’s new National Cultural Policy.
Sub-brands such as Star and Hulu have allowed Disney to experiment with adult-themed content while protecting its core brand.
Bringing colour and emotional depth, Baunbach’s adaptation is a good companion to DeLillo’s searing novel.
Spotify Wrapped bills itself as a playful musical year in review – but for its users, its omnipresence on social media can inspire more negative feelings.
It’s riddled with cliches and a dislike of a certain type of “Americaness”.
The announcement that Amazon would rescue the beloved Aussie soap overturns many expectations about television in the age of streaming.
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Researcher, Queensland University of Technology
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Associate Professor of Sociology, University of Texas at Arlington
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Professor, Jean Augustine Chair in Education, Community & Diaspora, York University, Canada
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Research Fellow, Media & Communications, RMIT University
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Associate Professor, School of Media and Communication, RMIT University
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Lecturer in Digital Cultures, University of Sydney
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Senior Lecturer in Screen Studies, University of South Australia
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Lecturer, School of Journalism, Writing and Media, University of British Columbia
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Professor of English Literature, Aberystwyth University
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Lecturer in Strategy, Cambridge Judge Business School
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Professor of Strategy, King's College London
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
