The next time there’s a scene that makes light of gendered violence, pause and ask: what is really being shown here? Is this really all that funny or is it minimizing actual violence?
One page fragment was found in West Germany in a shop adjacent to stalls selling spiced wine and cuckoo clocks in a busy Christmas market.
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Everyone is raving about Adele’s new album ‘30.’ A mathematician muses about the “Adele sequence”: the patterns of numbers in her album name.
Visitors take photos near a model of the doll Younghee featured in ‘Squid Game,’ displayed at the Olympic park in Seoul, South Korea, on Oct. 26, 2021.
(AP Photo/Lee Jin-man)
Squid Game alludes to anti-worker violence that has permeated South Korean labour history, and reminds viewers of the need to overcome real inequalities.
In Daniel and Eugene Levy’s new book about their hit TV show ‘Schitt’s Creek,’ the latter writes he hoped the ‘Merry Christmas, Johnny Rose’ episode would reflect his real-life ‘manic insanity about the holiday.’
(CBC Comedy/YouTube)
The ‘Schitt’s Creek’ holiday special, a fan favourite, showed how the omipresence of Christmas has offered (especially intermarried) Jews a variety of non-exclusive options for the holiday season.
Hulu’s ‘Handmaid’s Tale’ Season 4 envisions escapes to Canada that draw on 19th century abolitionist narratives, yet the show doesn’t acknowledge race.
(Hulu/YouTube)
Myths of Canada’s moral superiority in contrast to the United States can be a barrier to acknowledging and addressing racism in Canada.
Not fond of COVID-19 theatre protocols? In Renaissance England, audiences set the rules for how to behave, and a pickpocket could be tied to a stage pillar.
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More than 30 years after the Berlin Wall fell, the re-release of the East German film ‘Coming Out’ reminds us that protecting minority populations’ rights is every society’s responsibility.
John Cho plays iconic anime bounty hunter Spike Spiegel in Netflix’s live-action adaptation of ‘Cowboy Bebop.’
('Cowboy Bebop' 2021 Netflix trailer/'Cowboy Bebop Netflix anime trailer)
‘Cowboy Bebop’ drew international viewers with its genre-bending fusion of American mafia movies, Italian westerns, Japanese cyberpunk, Hong-Kong style martial arts and its eclectic soundtrack.
Local children learning about ancient belongings at a cultural event in the Orange Walk District.
(Sylvia Batty)
What’s happening in Belize is a work in progress. Its citizens pursue diverse self-determined actions along with repatriation as steps toward generational healing and redress.
David Vincent of death metal band Morbid Angel in Washington, D.C., in September 2012.
(Metal Chris/flickr)
Understanding consent is key to avoiding ambiguous and socially awkward encounters and reducing the potential to cause harm. There are lessons in Shakespeare’s ‘King Lear’.
Older adults can experience negative health effects due to social isolation.
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Social isolation in older adults can contribute to negative health outcomes. The COVID-19 pandemic has exacerbated this, but an arts-based program can alleviate some of the loneliness.
The show is violent fantasy emerging from the desperation experienced by those in crippling debt.
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The unanticipated popularity of the Korean show ‘Squid Game’ highlights our relationship to debt and capitalism, but the contradictions extend beyond the show itself.
When Spain first imported chocolate, the medical community was concerned about the drink and its potential side effects.
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Today viewers may be preoccupied by the methods used by spirit photographers, but spirit photographs had a notable impact on the bereaved who commissioned the portraits.
Still from ‘I Was a Child of Holocaust Survivors,’ the film version of Toronto-born Bernice Eisenstein’s memoir.
(National Film Board/YouTube)
The past of the Holocaust still haunts the present and calls out to Canadian writers. Their works of poetry and prose are forms of remembrance that command our attention.
Leonardo DiCaprio, right, speaks with Earth scientist and deputy director of NASA’s Goddard Sciences and Exploration Directorate, Piers Sellers, for the climate change documentary, ‘Before the Flood.’
(Flickr/NASA Goddard Space Flight Center)
Many popular climate change documentaries rely on white male narrators and experts, reinforce social stereotypes and provide unbalanced coverage of the regions most affected.
Northern European folklore had different ways of referring to distant lights known to spontaneously appear on peatlands, including will-o’-the-wisp, and the more familiar jack-o’-lantern.
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Peatlands have been central to how northern European folklore has explored fear and a sense of the supernatural for hundreds of years. Their persistence is also key to slowing down climate change.
‘Ice Watch,’ an installation by Icelandic-Danish artist Olafur Eliasson, put 12 blocks of ice harvested from a fjord in a clock formation in a public place in London, in December 2018.
(Sarflondondunc/Flickr)
From installations of ice to projected art generated from air quality readings, artists and designers offer powerful experiences where people become witnesses to what’s happening and what’s possible.
An Afghan musician poses for a portrait with his dilruba in Kabul, Afghanistan, on Sept. 18, 2021. About a month after the Taliban seized power in Afghanistan, the music is starting to go quiet.
(AP Photo/Bernat Armangue)
The international community, particularly the music and music research communities, must stand with the Afghan musicians when it comes to protecting their cultural rights and human rights.
Being Indigenous is more than just genealogy. Here Lorralene Whiteye from the Ojibway Nation checks her hair in a mirror before the start of a healing ceremony, held by Toronto Indigenous Harm Reduction, to commemorate the first National Day for Truth and Reconciliation in Toronto.
THE CANADIAN PRESS/Evan Buhler
Vinita Srivastava, The Conversation and Haley Lewis, The Conversation
In recent years, some prominent people have been called out for falsely claiming Indigenous identity. Why would someone falsely claim an identity? And what does it mean to be Indigenous?