The brilliance of the new Netflix TV show, ‘Beef,’ which looks at loneliness and urban life, is threatened by the controversial history of one of its supporting actors, David Choe.
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The Online Streaming Act is set to soon become law in Canada. The act is a step in the right direction, but more needs to be done to support BIPOC content.
Welsh language heist drama, Dal y Mellt, is being streamed on Netflix with the title, Rough Cut.
Wellmania, staring Celeste Barber and inspired by Brigid Delaney’s book, asks: what does it mean to be well?
While educators in Netflix’s ‘Matilda the Musical’ aren’t meant to be blueprints for contemporary teaching, they suggest the powerful ways attentive adults can make a difference in children’s lives.
Season four of You delves into the misogyny and monstrous behaviour that can lurk beyond university facades.
Meta is among companies in recent years that have embraced becoming a ‘flatter’ organization – with fewer managers – to become more nimble and innovative.
Bloody games where there can be only winner critique the ‘winner takes all’ mentality fostered under capitalism.
Physical: 100 has taken the global number one spot on Netflix, just like its South Korean brethren Squid Game – and the similarities between the shows don’t end there.
Creating an emotional bond and an intimate relationship is the motivation for ‘intimacy seeking’ stalkers and Joe Goldberg’s character portrays this effectively.
Ever since it launched, the streaming platform has made its name by spearheading ever more daring innovations. But could this model be hurtling toward uniform plots and worldviews?
From eating potpourri to blast fishing, Wednesday Addams and her friends and family get involved in a number of grisly hijinks. But could they happen in real life?
An expert in intimate partner abuse on why the world should ‘listen carefully’ to Pamela Anderson’s Netflix documentary.
Is the writer’s appeal less about the power and complexity of his prose, and more about the view of him as a perennial underdog?
Children and the adults they become need to choose how they grieve. That may include sharing their experiences and getting angry.
Bringing colour and emotional depth, Baunbach’s adaptation is a good companion to DeLillo’s searing novel.
The impressionistic tale of a young Edgar Allan Poe may not be based in fact, but it captures the essence of the young writer.
As the new series of Emily in Paris drops, an expert in cultural depictions of the city asks – where are all the Parisians?
Racism aside, many of the difficulties they face are shared by all the royal families of Europe.
It’s riddled with cliches and a dislike of a certain type of “Americaness”.
Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Screen Studies, University of South Australia
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor of English, Flinders University
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Senior Lecturer & Research Fellow, La Trobe University
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Associate Professor in Cinema Studies, RMIT University
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Dennis Altman is a Friend of The Conversation.
VC Fellow, La Trobe University
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Senior Lecturer, University of the Sunshine Coast
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Associate Professor, University of the Sunshine Coast
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Senior Lecturer in Media, RMIT University
