Fifty years ago, in the first half of 1965, the British invasion was officially under way – at least, in music. It seemed like all the biggest hits on the American pop charts came from British bands. Ever…
Blood + Thunder offers an entertaining insight into the development of the “Australian Sound” – but why do the producers fail to acknowledge the influence on the blues on that sound?
Only a hard heart could fail to respond on some emotional level when Barack Obama, eulogising at one of the most emotionally and racially charged funerals in US history, started singing Amazing Grace.
The unauthorised use of Neil Young’s Rockin’ in the Free World at Donald Trump’s presidential campaign launch raises several questions – and gives us something beautiful to ponder.
Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.
Not all children move through the same range of processes when they compose music – but those processes, in themselves, nurture important human qualities.
Stanley Donwood has been designing Radiohead’s artwork since 1994. Ahead of his retrospective at Sydney’s Carriageworks this month, we consider the role of art in creating a band’s visual identity.
Eurovision is popularly heralded as the song that unites Europe, but recent controversies about gender, social justice and human rights paint a different picture.