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Confederate General P.G.T. Beauregard is removed from the entrance to City Park in New Orleans. REUTERS/Cheryl Gerber

What to do with Confederate statues?

A scholar of southern politics finds inspiration in an unexpected place.
Yayoi Kusama: Infinity Mirrors | Hirshhorn Museum. anokarina/flickr

Global series: Talking sex, changing cultures

By speaking their truths in societies that would rather not know, queer painters, female rappers and other outsider artists are pushing the bounds of gender and sexuality in the developing world.
Detail of Jim Dine, The mighty robe I, 1985. Colour lithograph with relief printing from polymer plates, 61.3 x 50.7 cm (image and plate), 89.2 x 63.4 cm (sheet) National Gallery of Victoria, Melbourne Gift of the artist, 2016, 2016.806, © Jim Din

Here’s looking at: Jim Dine’s The mighty robe

Jim Dine and other pop artists like Andy Warhol took everyday things and transformed them into magical objects. In his prints a robe could become a self-portrait, a president, or a hero.
Andrew Wyeth stands by a creek on his Chadd’s Ford, Pennsylvania property in 1964. AP Photo/Bill Ingraham

Andrew Wyeth and the artist’s fragile reputation

His rise was just as swift as his fall. To mark the painter’s 100th birthday, an art historian explores the forces – cultural, political and personal – that created a polarizing legacy.
Untitled (all), Hans-Jörg Georgi, 2010–15, Courtesy of The Museum of Everything. Moorilla Gallery, Courtesy of Atelier Goldstein and The Museum of Everything (installation by Lutz Pillong)

The compulsion to create: ‘outsider art’ at MONA’s The Museum of Everything

MONA’s latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.

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