Festivals can offer great exposure for smaller acts, but the competition for slots is fierce.
Live performances account for more than 40 percent of their income, while profits from streaming and record sales amount to only 5 percent of their earnings.
Fer Gregory via Shutterstock
Is there something in the way theatre is organised that makes abuse of power so depressingly commonplace?
L-E-V comes at you like a freight train with Killer Pig in the Adelaide Festival.
Media Credit Gil Shani
This year has got off to an awful start. Thank God for the Adelaide Festival, a blaze of hope, skill and fun. Here are our critics' highlights of a beautifully crafted program.
On New Year’s Eve, Mariah Carey was at a loss for words.
From The Monkees to Mariah Carey, lip-syncers have been getting mocked for decades.
Sikhumbuzo Makandula’s ‘Ubuzwe II’, 2016, Digital photograph: Inkjet on Epsom Ultrasmooth. The mural kaSebe/Sebe’s Lip (2011) is by artist Buntu Fihla.
In an image-saturated world, it can feel like we are beyond being moved. But five exhibitions in South Africa's Eastern Cape province in 2016 managed to capture memory and ego in exactly the right proportions.
En avant, Marche! An energetic – sometimes frenetic – show.
A trombonist is forced to play the cymbals, while a pair of marching girls dance out his frustrations. A full brass band slips from classical, to jazz, to folk and cabaret. En Avant, Marche! is a strange show, but worth your time.
The typical view at a concert when fans take out their smartphones.
There's a time and place for a smartphone and some artists and sports stars want you to stop using them when they're performing. Just enjoy the live event instead.
Buskers improve our city streets, so let’s help them feel safe and wanted.
Indigo Skies Photography
We may think of buskers as romantic free spirits. But when Melbourne and Sydney buskers were asked what they thought about council regulations, their answers were surprising.
Anita Hustas performing in Melbourne.
Music is ubiquitous in our lives, but where are the spaces for boundary-pushing experimentation?
Spare us the blood and guts.
Performers and audiences alike are undermined by graphic depictions of violence, like Michieletto's Guillaume Tell.
Take a bow.
The violence of the Royal Opera House's production of William Tell should shock us - but that doesn't mean it's wrong.
Antony and the Johnsons fit perfectly within the world of Dark Mofo.
Images courtesy of Dark Mofo
Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.