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At his current exhibition at Galerie Perrotin, Wim Delvoye’s works continue to vex ready classification. Photo: Claire Dorn. Courtesy Galerie Perrotin

Wim Delvoye’s astonishing art shows what’s lurking in the banal

When Belgian artist Wim Delvoye broke onto the international scene back in the 1990s, he was one of those artists (like Sigmar Polke before him) that critics found difficult to pigeonhole. His works ranged…
Negotiating our position in the world has been a constant facet of Australian art. Tracey Nearmy/AAP

Yes, Capon, Australian artists have always thought about place

Edmund Capon, the former director of the Art Gallery of New South Wales (AGNSW) last week commented that Australian artists remain unknown overseas because their work is “too strongly defined by place…
Jeff Wall, Untangling (1994, printed 2006), transparency in light box, AP 189.0 x 223.5 cm. National Gallery of Victoria

Art as Therapy? Art as Patriarchy!

Art as Therapy at Melbourne’s National Gallery of Victoria (NGV) promises to “challenge visitors to examine assumptions about themselves, society, and how art is viewed in galleries”. And it would be right…
Cullen possessed a natural likeability, even an awkward politeness. AAP Image/Paul Miller

Review: The Life and Death of Adam Cullen by Erik Jensen

Adam Cullen, Australian artist and winner of the 2000 Archibald Prize, died just over two years ago at the age of 46. He spent the last three years of his life working with a young writer, Erik Jensen…
In The Boys Home, artist Zanny Begg worked with boys in juvenile detention. This image is from a project titled Rooms. Photo documentation by Alex Wisser. The Boys Home

The Boys Home: making art in a juvenile detention centre

I entered the secretive world of a maximum-security prison for children in Sydney’s Western suburbs for four months earlier this year. My passport into this highly restrictive world was an artist residency…
Could a child have painted Picasso’s Seated Woman? That’s the wrong kind of question to ask of art. EPA/ANDY RAIN

Three questions not to ask about art – and four to ask instead

Art raises a lot of questions. That’s what it does. If an art work in a gallery or a news story has made you ask “what the …?”, it has already started to do its job. But for many who are not familiar with…
Damien Hirst, whose work Virgin Mother III is pictured here, has learned the lessons of personal branding. Suzanne Gerber

Survive in the art world: market the brand, sell the product

Artists such as Andy Warhol, Salvador Dali, and more recently Damien Hirst and Jeff Koons, are regularly held up as masters of self-marketing and as global artist brands. Koons, for example, is feted on…
Long term, works such as Pavilion, (interior) by Hany Armanious will pay off. City Centre Public Art

Sydney’s new public sculptures are good for the collective noodle

Sydney’s Lord Mayor Clover Moore has turned me into a milk crate acolyte. Driving to work this morning, I screeched to a stop by the side of the road. Why? There was a blue milk crate lying in the gutter…
Jeff Koons, Tulips, 1995 – 98. Oil on canvas; 111 3⁄8 x 131 in. (282.9 x 332.7cm). Private collection. © Jeff Koons. Whitney Museum of American Art

Jeff Koons – a spectacle on the way to respectable

American Jeff Koons is possibly the most contentious living artist. His current retrospective at the Whitney Museum in New York writes him into the contemporary canon of great living artists – but even…
A dance performance at Beijing’s Peng Hao theatre. How does context help us make meaning of works like this? Gustavo Thomas

Circles of context: giving a work of art its meaning

On the June weekend the Sydney Biennale closed, I arrived in Denmark to speak at a conference where the Greek theatre artist Alexandros Mistriotis proposed that “art liberates us from meaning”. A week…
Self-taught artist Stan Hopewell in his studio. Photo: Frances Andrijich

Stan Hopewell – an artist facing the stars and reaching the unknown

This is an edited extract from Ted Snell’s book, Stan Hopewell: Facing the Stars. This is a love story! It is the story of Stan Hopewell and his beloved wife Joyce, a couple whose lives intertwined during…
A solo show at the Saatchi means an artist has already entered orbit. Pelham Communications and Prudential Eye Awards

Ben Quilty at the Saatchi Gallery … things just got interesting

Ben Quilty is the first Australian artist to hold a solo show at the Saatchi Gallery in London. Opening last Friday and running until August 3, the exhibition is a big deal for Quilty, naturally, but also…
A new exhibition in Brisbane takes food as its subject and includes this work by Darren Sylvester. (‘The explanation is boring. It’s simple. I don’t care’, 2006. Lightjet print on paper, 120 x 160cm.) Queensland Art Gallery/Gallery of Modern Art

GOMA’s Harvest shows tastes change when it comes to food

In Rolf de Heer’s new film Charlie’s Country there are four food moments: deep-fried fast food; tinned and packaged food (abandoned when the car runs out of petrol); cooked-in-coals barramundi; and green…
An exhibition of the Fremantle realists sheds new light on the work of this pioneering group. Ken Wadrop, Action painting , 1978, acrylic paint on canvas, 92 x 123.5 cm. Fremantle Arts Centre

The Fremantle artists who found new ways of seeing the everyday

There is a sense of elation when you see something familiar as if for the first time. Looking is one thing but seeing is something entirely different and for the three Western Australian artists identified…
Ben Quilty, Captain S, after Afghanistan, 2012, oil on linen, 140 x 190cm.

Battle lines: the onward march of war art in Australia

War art, like war, changes with time – but not as much as we might like to believe. So what is its function, and how has it evolved over time? Two current exhibitions – the travelling show Ben Quilty…
Installation view from Stan Hopewell: God is Love, Lawrence Wilson Art Gallery, 2013. Courtesy of Nic Montagu

You are ignoring university art collections – you shouldn’t

In Talking Point, the Australia Council’s recently published “snapshot” of the Australian contemporary visual arts in 2014, it was surprising to find only one reference to the country’s 42 university based…
Bright lights, big city - in the 1950s lighting for productivity and security was overtaken by lighting for spectacle, mood and advertising. Lighting the Sails - 59 Productions Vivid LIVE 2014.

Let there be light: behind the trend of illuminating cities for art

If you’re in Melbourne or Sydney over the next couple of weeks, you can enjoy the nightly transformation of some familiar urban landmarks. How should we understand this growing global enthusiasm for spectacular…
A sense of unease that comes with visiting the past is palpable in several of the works on show. Anna Carey, Costa Vista 2014, giclée print mounted on aluminium, Museum of Brisbane

David Malouf and Friends explores tricks of memory and place

Last year I re-read Johnno, David Malouf’s 1975 novel, with a group of students. I was intrigued to find out how young men and women living in Brisbane today would relate to a novel that has cast such…
Lily Hargreaves Nungarrayi, 2013, Wardilyka Jukurrpa (Bush Turkey, Ardeotis Australis Dreaming) synthetic polymer paint on canvas, 200.0 x 300.0 cm. © the artist, courtesy of Warnayaka Art Centre Lajamanu, and Vivien Anderson Gallery Melbourne

Clever women: three Warlpiri artists, now in Melbourne

This unconventional review of an exhibition, Jinjilngali, Kurlukuku Minpiya, Yirdingali, now on show at the Vivien Anderson Gallery in Melbourne, also constitutes a tribute to three Warlpiri women artists…
An exhibition on display in Ballarat charts the fortunes of the Scots in Australia in the 19th century. John Glover, Ben Lomond, c1840. Oil on canvas 76.8 x 117.1 cm. Rex Nan Kivell Collection, National Gallery of Australia and National Library of Australia. Courtesy of Art Gallery of Ballarat

For Auld Lang Syne in Ballarat – reviewing an old acquaintance

If there is one painting that shows the dilemma at the heart of For Auld Lang Syne, an exhibition devoted to images of Scottish Australia currently showing at the Art Gallery of Ballarat, it is John Glover’s…

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